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The basis of the „European Digital Art and Science Network“ is a big manifold network consisting of scientific mentoring institutions (ESA, CERN, ESO and Fraunhofer MEVIS), the Ars Electronica Futurelab and seven European cultural partners (Center for the promotion of science, RS – DIG Gallery, SK – Zaragoza City of Knowledge Foundation, ES – Kapelica Gallery / Kersnikova, SI – GV Art, UK – Laboral, ES – Science Gallery, IE. The EU funded project lasted from 2014 to 2017.
The Online Archive of Ars Electronica provides an overview of the individual activities of the network and also delivers information about the network itself, the residency artists and the involved project partners and the jury.

Syncness - exhibited at Kapelica Gallery, Ljubljana 2016

Syncness - exhibited at Kapelica Gallery, Ljubljana

Saša Spačal, Slavko Glamočanin: Syncness
Kapelica Gallery, Ljubljana
12.01. – 05.02.2016
• Info: An exhibition in the context of the European Digital Art & Science Network.
Year of creation
2016

Urls
http://www.kapelica.org/index_si.html#event=1028

Start:
Jan 12, 2016
End:
Feb 05, 2016

Kapelica Gallery Kersnikova Institute
Syncness by Saša Spačal and Slavko Glamočanin (SI)
Syncness is an audiovisual interface that researches human ability to relate to beings that are considered inferior by anthropocentric arborescent taxonomic classifications such as the tree of life. It is an invitation to try to vocally sync with crickets and develop a relationship. Syncness creates opportunities for sound synchronization between human beings and crickets. Identification of signals transmitted by the animals is similar to close encounters of the third kind, but the alienated other is replaced by Acheta domesticus crickets. It is a first step towards an algorithmic language that would enable non-verbal interspecies communication. The audiovisual dialog is transmitted to space via radio as to reflect upon the human urge to find extraterrestrial life and establish relationships with beings that are alien to our species. projectsyncness.wordpress.com

Associate professionals: Mirjan Švagelj, Anil Podgornik, Shlosart Metalart
3D modeling and implementation plans: Blaž Šolar
Produced by: Kapelica Gallery / Kersnikova Institute
Syncness by Saša Spačal and Slavko Glamočanin (SI)
Syncness is an audiovisual interface that researches human ability to relate to beings that are considered inferior by anthropocentric arborescent taxonomic classifications such as the tree of life. It is an invitation to try to vocally sync with crickets and develop a relationship. Syncness creates opportunities for sound synchronization between human beings and crickets. Identification of signals transmitted by the animals is similar to close encounters of the third kind, but the alienated other is replaced by Acheta domesticus crickets. It is a first step towards an algorithmic language that would enable non-verbal interspecies communication. The audiovisual dialog is transmitted to space via radio as to reflect upon the human urge to find extraterrestrial life and establish relationships with beings that are alien to our species. projectsyncness.wordpress.com

Associate professionals: Mirjan Švagelj, Anil Podgornik, Shlosart Metalart
3D modeling and implementation plans: Blaž Šolar
Produced by: Kapelica Gallery / Kersnikova Institute
Syncness by Saša Spačal and Slavko Glamočanin (SI)
Syncness is an audiovisual interface that researches human ability to relate to beings that are considered inferior by anthropocentric arborescent taxonomic classifications such as the tree of life. It is an invitation to try to vocally sync with crickets and develop a relationship. Syncness creates opportunities for sound synchronization between human beings and crickets. Identification of signals transmitted by the animals is similar to close encounters of the third kind, but the alienated other is replaced by Acheta domesticus crickets. It is a first step towards an algorithmic language that would enable non-verbal interspecies communication. The audiovisual dialog is transmitted to space via radio as to reflect upon the human urge to find extraterrestrial life and establish relationships with beings that are alien to our species. projectsyncness.wordpress.com

Associate professionals: Mirjan Švagelj, Anil Podgornik, Shlosart Metalart
3D modeling and implementation plans: Blaž Šolar
Produced by: Kapelica Gallery / Kersnikova Institute
Syncness by Saša Spačal and Slavko Glamočanin (SI)
Syncness is an audiovisual interface that researches human ability to relate to beings that are considered inferior by anthropocentric arborescent taxonomic classifications such as the tree of life. It is an invitation to try to vocally sync with crickets and develop a relationship. Syncness creates opportunities for sound synchronization between human beings and crickets. Identification of signals transmitted by the animals is similar to close encounters of the third kind, but the alienated other is replaced by Acheta domesticus crickets. It is a first step towards an algorithmic language that would enable non-verbal interspecies communication. The audiovisual dialog is transmitted to space via radio as to reflect upon the human urge to find extraterrestrial life and establish relationships with beings that are alien to our species. projectsyncness.wordpress.com

Associate professionals: Mirjan Švagelj, Anil Podgornik, Shlosart Metalart
3D modeling and implementation plans: Blaž Šolar
Produced by: Kapelica Gallery / Kersnikova Institute
Syncness by Saša Spačal and Slavko Glamočanin (SI)
Syncness is an audiovisual interface that researches human ability to relate to beings that are considered inferior by anthropocentric arborescent taxonomic classifications such as the tree of life. It is an invitation to try to vocally sync with crickets and develop a relationship. Syncness creates opportunities for sound synchronization between human beings and crickets. Identification of signals transmitted by the animals is similar to close encounters of the third kind, but the alienated other is replaced by Acheta domesticus crickets. It is a first step towards an algorithmic language that would enable non-verbal interspecies communication. The audiovisual dialog is transmitted to space via radio as to reflect upon the human urge to find extraterrestrial life and establish relationships with beings that are alien to our species. projectsyncness.wordpress.com

Associate professionals: Mirjan Švagelj, Anil Podgornik, Shlosart Metalart
3D modeling and implementation plans: Blaž Šolar
Produced by: Kapelica Gallery / Kersnikova Institute
Saša Spačal (SI) - artist of Syncness
Syncness is an audiovisual interface that researches human ability to relate to beings that are considered inferior by anthropocentric arborescent taxonomic classifications such as the tree of life. It is an invitation to try to vocally sync with crickets and develop a relationship. Syncness creates opportunities for sound synchronization between human beings and crickets. Identification of signals transmitted by the animals is similar to close encounters of the third kind, but the alienated other is replaced by Acheta domesticus crickets. It is a first step towards an algorithmic language that would enable non-verbal interspecies communication. The audiovisual dialog is transmitted to space via radio as to reflect upon the human urge to find extraterrestrial life and establish relationships with beings that are alien to our species. projectsyncness.wordpress.com

Associate professionals: Mirjan Švagelj, Anil Podgornik, Shlosart Metalart
3D modeling and implementation plans: Blaž Šolar
Produced by: Kapelica Gallery / Kersnikova Institute
Slavko Glamočanin (SI) - artist of Syncness
Syncness is an audiovisual interface that researches human ability to relate to beings that are considered inferior by anthropocentric arborescent taxonomic classifications such as the tree of life. It is an invitation to try to vocally sync with crickets and develop a relationship. Syncness creates opportunities for sound synchronization between human beings and crickets. Identification of signals transmitted by the animals is similar to close encounters of the third kind, but the alienated other is replaced by Acheta domesticus crickets. It is a first step towards an algorithmic language that would enable non-verbal interspecies communication. The audiovisual dialog is transmitted to space via radio as to reflect upon the human urge to find extraterrestrial life and establish relationships with beings that are alien to our species. projectsyncness.wordpress.com

Associate professionals: Mirjan Švagelj, Anil Podgornik, Shlosart Metalart
3D modeling and implementation plans: Blaž Šolar
Produced by: Kapelica Gallery / Kersnikova Institute
Artist Biographies - Syncness exhibited by Kapelica Gallery / Kersnikova Institute