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The basis of the „European Digital Art and Science Network“ is a big manifold network consisting of scientific mentoring institutions (ESA, CERN, ESO and Fraunhofer MEVIS), the Ars Electronica Futurelab and seven European cultural partners (Center for the promotion of science, RS – DIG Gallery, SK – Zaragoza City of Knowledge Foundation, ES – Kapelica Gallery / Kersnikova, SI – GV Art, UK – Laboral, ES – Science Gallery, IE. The EU funded project lasted from 2014 to 2017.
The Online Archive of Ars Electronica provides an overview of the individual activities of the network and also delivers information about the network itself, the residency artists and the involved project partners and the jury.

Earth Without Humans II exhibition organized by Kapelica Gallery / Kersnikova Institute 2017

Earth Without Humans II exhibition organized by Kapelica Gallery / Kersnikova Institute

Original: Somnium by Danny Bazo (US), Marko Peljhan (SI) and Karl Yerkes (US) | 5213 * 3475px | 1.7 MB
Credits: Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Somnium by Danny Bazo (US), Marko Peljhan (SI) and Karl Yerkes (US) | 5616 * 3744px | 2.5 MB
Credits: Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Cosmologicus by Katarina Petrović (RS/NL) | 4435 * 2924px | 4.0 MB
Credits: Katarina Petrović Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: ElektroMagnetikSpektrum by Brane Zorman (SI) | 5312 * 2988px | 3.9 MB
Credits: Brane Zorman Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Green Wall: Plant—Machine Cohabitation by Green Wall Community + Naprave Robotics Lab | 5616 * 3744px | 7.1 MB
Credits: Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Artist Biographies - Earth Without Humans II / Kapelica Gallery Kersnikova Institute | 207.7 KB
Credits: Contract Work: No
    Earth Without Humans II

    Danny Bazo, Marko Peljhan, Karl Yerkes: Somnium
    Kapelica Gallery, Ljubljana
    08.06. – 30.06.2017

    Katarina Petrović: Cosmologicus
    Rampa Lab, Ljubljana
    08.06. – 30.06.2017

    Brane Zorman: ElektroMagnetikSpektrum
    Sonoretum, Ljubljana
    08.06. – 30.06.2017

    Green Wall: Plant—Machine Cohabitation
    BioTehna, Ljubljana
    08.06. – 30.06.2017
    • Info: An exhibition in the context of the European Digital Art & Science Network.
    Year of creation
    2017

    Urls
    http://www.kapelica.org/index_en.html

    Start:
    Jun 08, 2017
    End:
    Jun 30, 2017

    Kapelica Gallery / Kersnikova Institute
    Somnium by Danny Bazo (US), Marko Peljhan (SI) and Karl Yerkes (US)
    Somnium
    Kapelica Gallery, Ljubljana
    08.06.-30.06.2017

    Somnium is a multimodal cybernetic installation to contemplate discoveries of exoplanets and the potential for extraterrestrial intelligent life in our galaxy. It uses light, sound, and robotics to bridge the vastly different macro- and micro-scales of cosmic search and human experience. The work draws inspiration from Johannes Kepler’s prototypical science fiction tale, Somnium (Dream), which describes what an observer on the moon might see while they gaze at the Earth from afar. The installation uses data gathered by NASA’s Kepler Space Telescope mission to echo this question for our specific time: “What might an observer on Earth see while they gaze at the many other possible Earths that exist within our galaxy?”
    www.projekt-atol.si/project/somnium

    Produced by: Projekt Atol Institute
    Co-produced by: MAT, SYSTEMICS Lab, UCSB
    Project developed in collaboration with Jon Jenkins at SETI Institute’s Artist in Residence Program.
    Supported by: Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana –
    Department for Culture

    Somnium by Danny Bazo (US), Marko Peljhan (SI) and Karl Yerkes (US)
    Somnium
    Kapelica Gallery, Ljubljana
    08.06.-30.06.2017

    Somnium is a multimodal cybernetic installation to contemplate discoveries of exoplanets and the potential for extraterrestrial intelligent life in our galaxy. It uses light, sound, and robotics to bridge the vastly different macro- and micro-scales of cosmic search and human experience. The work draws inspiration from Johannes Kepler’s prototypical science fiction tale, Somnium (Dream), which describes what an observer on the moon might see while they gaze at the Earth from afar. The installation uses data gathered by NASA’s Kepler Space Telescope mission to echo this question for our specific time: “What might an observer on Earth see while they gaze at the many other possible Earths that exist within our galaxy?”
    www.projekt-atol.si/project/somnium

    Produced by: Projekt Atol Institute
    Co-produced by: MAT, SYSTEMICS Lab, UCSB
    Project developed in collaboration with Jon Jenkins at SETI Institute’s Artist in Residence Program.
    Supported by: Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana –
    Department for Culture

    Somnium by Danny Bazo (US), Marko Peljhan (SI) and Karl Yerkes (US)
    Somnium
    Kapelica Gallery, Ljubljana
    08.06.-30.06.2017

    Somnium is a multimodal cybernetic installation to contemplate discoveries of exoplanets and the potential for extraterrestrial intelligent life in our galaxy. It uses light, sound, and robotics to bridge the vastly different macro- and micro-scales of cosmic search and human experience. The work draws inspiration from Johannes Kepler’s prototypical science fiction tale, Somnium (Dream), which describes what an observer on the moon might see while they gaze at the Earth from afar. The installation uses data gathered by NASA’s Kepler Space Telescope mission to echo this question for our specific time: “What might an observer on Earth see while they gaze at the many other possible Earths that exist within our galaxy?”
    www.projekt-atol.si/project/somnium

    Produced by: Projekt Atol Institute
    Co-produced by: MAT, SYSTEMICS Lab, UCSB
    Project developed in collaboration with Jon Jenkins at SETI Institute’s Artist in Residence Program.
    Supported by: Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana –
    Department for Culture

    Somnium by Danny Bazo (US), Marko Peljhan (SI) and Karl Yerkes (US)
    Somnium
    Kapelica Gallery, Ljubljana
    08.06.-30.06.2017

    Somnium is a multimodal cybernetic installation to contemplate discoveries of exoplanets and the potential for extraterrestrial intelligent life in our galaxy. It uses light, sound, and robotics to bridge the vastly different macro- and micro-scales of cosmic search and human experience. The work draws inspiration from Johannes Kepler’s prototypical science fiction tale, Somnium (Dream), which describes what an observer on the moon might see while they gaze at the Earth from afar. The installation uses data gathered by NASA’s Kepler Space Telescope mission to echo this question for our specific time: “What might an observer on Earth see while they gaze at the many other possible Earths that exist within our galaxy?”
    www.projekt-atol.si/project/somnium

    Produced by: Projekt Atol Institute
    Co-produced by: MAT, SYSTEMICS Lab, UCSB
    Project developed in collaboration with Jon Jenkins at SETI Institute’s Artist in Residence Program.
    Supported by: Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana –
    Department for Culture

    Cosmologicus by Katarina Petrović (RS/NL)
    Cosmologicus
    Rampa Lab, Ljubljana
    08.06. – 30.06.2017

    Cosmologicus is a custom-made software and installation that translates radio emissions from the planet Jupiter into a semantic stream. Using the word-number database generated in the work Lexicon Liber Novus (Petrović, 2016), the invisible order of electron particles coming from the distant planet is made intelligible through language. Or so it seems. Jupiter-generated poetry gives way to an infinite interpretation of the planet's emissions. The computer and the spectator become mediums of the largest planet of our Solar system, oracles of the mythological Jupiter, attempting to construct sense and meaning from the generated data. The installation comprises the software, projected moving text into a black water cube, and a recording of Jupiter radio emissions made on the ground.
    www.katarinapetrovic.net/project/cosmologicus

    Software made in collaboration with: Mirko Lazović
    Audio recordings: NASA’s education and outreach project Radio Jove and affiliated Heliotown Observatory in New Mexico

    Cosmologicus by Katarina Petrović (RS/NL)
    Cosmologicus
    Rampa Lab, Ljubljana
    08.06. – 30.06.2017

    Cosmologicus is a custom-made software and installation that translates radio emissions from the planet Jupiter into a semantic stream. Using the word-number database generated in the work Lexicon Liber Novus (Petrović, 2016), the invisible order of electron particles coming from the distant planet is made intelligible through language. Or so it seems. Jupiter-generated poetry gives way to an infinite interpretation of the planet's emissions. The computer and the spectator become mediums of the largest planet of our Solar system, oracles of the mythological Jupiter, attempting to construct sense and meaning from the generated data. The installation comprises the software, projected moving text into a black water cube, and a recording of Jupiter radio emissions made on the ground.
    www.katarinapetrovic.net/project/cosmologicus

    Software made in collaboration with: Mirko Lazović
    Audio recordings: NASA’s education and outreach project Radio Jove and affiliated Heliotown Observatory in New Mexico

    Cosmologicus by Katarina Petrović (RS/NL)
    Cosmologicus
    Rampa Lab, Ljubljana
    08.06. – 30.06.2017

    Cosmologicus is a custom-made software and installation that translates radio emissions from the planet Jupiter into a semantic stream. Using the word-number database generated in the work Lexicon Liber Novus (Petrović, 2016), the invisible order of electron particles coming from the distant planet is made intelligible through language. Or so it seems. Jupiter-generated poetry gives way to an infinite interpretation of the planet's emissions. The computer and the spectator become mediums of the largest planet of our Solar system, oracles of the mythological Jupiter, attempting to construct sense and meaning from the generated data. The installation comprises the software, projected moving text into a black water cube, and a recording of Jupiter radio emissions made on the ground.
    www.katarinapetrovic.net/project/cosmologicus

    Software made in collaboration with: Mirko Lazović
    Audio recordings: NASA’s education and outreach project Radio Jove and affiliated Heliotown Observatory in New Mexico

    Cosmologicus by Katarina Petrović (RS/NL)
    Cosmologicus
    Rampa Lab, Ljubljana
    08.06. – 30.06.2017

    Cosmologicus is a custom-made software and installation that translates radio emissions from the planet Jupiter into a semantic stream. Using the word-number database generated in the work Lexicon Liber Novus (Petrović, 2016), the invisible order of electron particles coming from the distant planet is made intelligible through language. Or so it seems. Jupiter-generated poetry gives way to an infinite interpretation of the planet's emissions. The computer and the spectator become mediums of the largest planet of our Solar system, oracles of the mythological Jupiter, attempting to construct sense and meaning from the generated data. The installation comprises the software, projected moving text into a black water cube, and a recording of Jupiter radio emissions made on the ground.
    www.katarinapetrovic.net/project/cosmologicus

    Software made in collaboration with: Mirko Lazović
    Audio recordings: NASA’s education and outreach project Radio Jove and affiliated Heliotown Observatory in New Mexico

    ElektroMagnetikSpektrum by Brane Zorman (SI)
    ElektroMagnetikSpektrum
    Sonoretum, Ljubljana
    08.06. – 30.06.2017

    ElektroMagnetikSpektrum is part of the EMS Memory Trackers (2016) composition, edited to suit the 8-channel sonic environment of Sonoretum. Based on the positions and color constellations of solar systems, stars, planets, and the endless flux of scattering electromagnetic radiation of past ancient and distant echoes, the author collects and transforms EM information, translating it to the narrow range of frequencies audible to humans. Zorman maps the continuous invisible and inaudible flux of fading time, pulsation and radiation that flow in the form of weakened and deteriorated segments, which are reflected from and absorbed by the bodies with which they collide. The sonic sculpture ElektroMagnetikSpektrum transcends the EM radio wave recording, which now covers the space of the Sonoretum time capsule like a gossamer veil.

    Brane Zorman (SI) - artist of ElektroMagnetikSpektrum
    ElektroMagnetikSpektrum
    Sonoretum, Ljubljana
    08.06. – 30.06.2017

    ElektroMagnetikSpektrum is part of the EMS Memory Trackers (2016) composition, edited to suit the 8-channel sonic environment of Sonoretum. Based on the positions and color constellations of solar systems, stars, planets, and the endless flux of scattering electromagnetic radiation of past ancient and distant echoes, the author collects and transforms EM information, translating it to the narrow range of frequencies audible to humans. Zorman maps the continuous invisible and inaudible flux of fading time, pulsation and radiation that flow in the form of weakened and deteriorated segments, which are reflected from and absorbed by the bodies with which they collide. The sonic sculpture ElektroMagnetikSpektrum transcends the EM radio wave recording, which now covers the space of the Sonoretum time capsule like a gossamer veil.

    Green Wall: Plant—Machine Cohabitation by Green Wall Community + Naprave Robotics Lab
    Green Wall: Plant—Machine Cohabitation
    BioTehna, Ljubljana
    08.06. – 30.06.2017

    Establishing the right conditions for plant growth in unusual environments is one of the themes with which we want to bring attention to the living organisms that can survive and exist in extreme environments. When we talk about astrobiology, it is relatively easy to imagine the radical conditions in space, but it is much harder to imagine the survival of various organisms in situations that do not yet even exist, and can merely be imagined or predicted. To simulate extreme conditions we have designed a tactical environment in which three distinct biotopes feed information to one another—aquaponics, hydroponics, and robotics existing in mutual codependence. The project, named Green Wall, aims to create a community in which the participants self-organize, based on their interests. One group takes care of the hydroponic system of plants growing in vertical modules, the second group constructs the aquarium biotope, while the third group creates a spider bot and a sensory system that will allow the plants to communicate with the robot, which will water each one individually. The ultimate goal of the project is to create a hybrid ecosystem in which plants, with the aid of technology, will be able to thrive without human intervention.
    www.biotehna.org

    Partner & expert collaborator: Naprave Robotics Lab
    Green Wall community (SI): Slavko Glamočanin, Tanja Gawish, Simon Gmajner, Staša Guček, Maj Hrovat, Boštjan Kobal, Jan Krek, Ana Lokovšek, Anamarija Pocrnjić, Aljaž Rudolf, Anže Sekelj, Jan Skomina, Filip Maj Špendl, Mirjan Švagelj, Kristijan Tkalec
    Thanks to: Jan Babič / Institute Jožef Stefan – Department for Automation, Biocybernetics and Robotics

    Green Wall: Plant—Machine Cohabitation by Green Wall Community + Naprave Robotics Lab
    Green Wall: Plant—Machine Cohabitation
    BioTehna, Ljubljana
    08.06. – 30.06.2017

    Establishing the right conditions for plant growth in unusual environments is one of the themes with which we want to bring attention to the living organisms that can survive and exist in extreme environments. When we talk about astrobiology, it is relatively easy to imagine the radical conditions in space, but it is much harder to imagine the survival of various organisms in situations that do not yet even exist, and can merely be imagined or predicted. To simulate extreme conditions we have designed a tactical environment in which three distinct biotopes feed information to one another—aquaponics, hydroponics, and robotics existing in mutual codependence. The project, named Green Wall, aims to create a community in which the participants self-organize, based on their interests. One group takes care of the hydroponic system of plants growing in vertical modules, the second group constructs the aquarium biotope, while the third group creates a spider bot and a sensory system that will allow the plants to communicate with the robot, which will water each one individually. The ultimate goal of the project is to create a hybrid ecosystem in which plants, with the aid of technology, will be able to thrive without human intervention.
    www.biotehna.org

    Partner & expert collaborator: Naprave Robotics Lab
    Green Wall community (SI): Slavko Glamočanin, Tanja Gawish, Simon Gmajner, Staša Guček, Maj Hrovat, Boštjan Kobal, Jan Krek, Ana Lokovšek, Anamarija Pocrnjić, Aljaž Rudolf, Anže Sekelj, Jan Skomina, Filip Maj Špendl, Mirjan Švagelj, Kristijan Tkalec
    Thanks to: Jan Babič / Institute Jožef Stefan – Department for Automation, Biocybernetics and Robotics

    Green Wall: Plant—Machine Cohabitation by Green Wall Community + Naprave Robotics Lab
    Green Wall: Plant—Machine Cohabitation
    BioTehna, Ljubljana
    08.06. – 30.06.2017

    Establishing the right conditions for plant growth in unusual environments is one of the themes with which we want to bring attention to the living organisms that can survive and exist in extreme environments. When we talk about astrobiology, it is relatively easy to imagine the radical conditions in space, but it is much harder to imagine the survival of various organisms in situations that do not yet even exist, and can merely be imagined or predicted. To simulate extreme conditions we have designed a tactical environment in which three distinct biotopes feed information to one another—aquaponics, hydroponics, and robotics existing in mutual codependence. The project, named Green Wall, aims to create a community in which the participants self-organize, based on their interests. One group takes care of the hydroponic system of plants growing in vertical modules, the second group constructs the aquarium biotope, while the third group creates a spider bot and a sensory system that will allow the plants to communicate with the robot, which will water each one individually. The ultimate goal of the project is to create a hybrid ecosystem in which plants, with the aid of technology, will be able to thrive without human intervention.
    www.biotehna.org

    Partner & expert collaborator: Naprave Robotics Lab
    Green Wall community (SI): Slavko Glamočanin, Tanja Gawish, Simon Gmajner, Staša Guček, Maj Hrovat, Boštjan Kobal, Jan Krek, Ana Lokovšek, Anamarija Pocrnjić, Aljaž Rudolf, Anže Sekelj, Jan Skomina, Filip Maj Špendl, Mirjan Švagelj, Kristijan Tkalec
    Thanks to: Jan Babič / Institute Jožef Stefan – Department for Automation, Biocybernetics and Robotics

    Artist Biographies - Earth Without Humans II / Kapelica Gallery Kersnikova Institute
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