ARS ELECTRONICA ARCHIVE - ART & SCIENCE
The basis of the „European Digital Art and Science Network“ is a big manifold network consisting of scientific mentoring institutions (ESA, CERN, ESO and Fraunhofer MEVIS), the Ars Electronica Futurelab and seven European cultural partners (Center for the promotion of science, RS – DIG Gallery, SK – Zaragoza City of Knowledge Foundation, ES – Kapelica Gallery / Kersnikova, SI – GV Art, UK – Laboral, ES – Science Gallery, IE. The EU funded project lasted from 2014 to 2017.
The Online Archive of Ars Electronica provides an overview of the individual activities of the network and also delivers information about the network itself, the residency artists and the involved project partners and the jury.
Art + Science Exhibition 2017 organized by CPN – Center for the Promotion of Science
Original: Horologium Nocturnum by Isidora Todorović (RS) | 1280 * 898px | 25.4 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: To the Distant Ones... by Marija and Milan Ličina (RS) | 3989 * 2659px | 5.0 MB
Credits: Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: MASSES by Quadrature (DE) | 2048 * 1366px | 565.5 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Orbits by Quadrature (DE) | 2048 * 1366px | 770.7 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Unclassified Objects by Quadrature (DE) | 2048 * 1365px | 552.9 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Myconnect Saša Spačal, Mirjan Švagelj, Anil Podgornik (SI) | 1366 * 2048px | 753.2 KB
Credits: Saša Spačal, Mirjan Švagelj and Anil Podgornik Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: Saša Spačal, Mirjan Švagelj and Anil Podgornik Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Flower by Shinseungback Kimyonghun (KR) | 2048 * 1366px | 829.8 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: ÑOQAYKU by Alex Guevara (PE) | 2048 * 1366px | 672.0 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Cat or Human by Shinseungback Kimyonghun (KR) | 3946 * 2631px | 2.0 MB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: UNIT Live by Alex Guevara (PE) | 2048 * 1366px | 765.5 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Dark Wind Trilogy feat. Mussurunga (live) by raum.null (RS, AT) | 4096 * 2731px | 3.7 MB
Credits: Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Deep Life by Azucena Giganto and Guillermo Casado (ES) | 2048 * 1366px | 1.1 MB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Face to Facebook by Paolo Cirio and Alessandro Ludovico (IT) | 2048 * 1365px | 526.6 KB
Credits: Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Cluster Z-III / RoboAction live by Dragan Ilić (RS, AU, US) | 2048 * 1366px | 757.4 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Tuning In by Dušan Rodić (RS), Mi-Ah Rödiger (DE), Timo Preece (US) | 2048 * 1366px | 711.9 KB
Credits: Dušan Rodić (RS), Mi-Ah Rödiger (DE), Timo Preece (US) Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: Dušan Rodić (RS), Mi-Ah Rödiger (DE), Timo Preece (US) Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: From Safety to Where? by Karkatag (RS) | 4211 * 2811px | 5.4 MB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Quantum Music performed by LP Duo (live) (RS) | 2048 * 1366px | 927.3 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Unflattening by Nick Sousanis (US) | 3713 * 2475px | 5.3 MB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Universal Objects by Tanja Vujinović (RS/SI) | 2048 * 1365px | 880.6 KB
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Credits: CPN Press: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
Original: Artist Biographies - Art + Science exhibition II 2017 / CPN | 286.2 KB
Credits: Contract Work: No
Credits: Contract Work: No
Art + Science Exhibition 2017
Festival (several exhibitions + parallel programs)
Belgrade, Novi Sad, Kragujevac, Ritopek
27.04. – 25.05.2017
• Info: An exhibition in the context of the European Digital Art & Science Network.
Festival (several exhibitions + parallel programs)
Belgrade, Novi Sad, Kragujevac, Ritopek
27.04. – 25.05.2017
• Info: An exhibition in the context of the European Digital Art & Science Network.
Year of creation
2017Urls
http://www.cpn.rs/artandscience/about/project/ Start:
Apr 27, 2017 End:
May 25, 2017 CPN – Center for the Promotion of Science
Quantum Music performed by LP Duo (RS)
Quantum Music
feat. LP Duo (live)
EU project
The project Quantum Music is a meeting point of quantum physics and music. The project was initiated with the aim to explore the relations between music and quantum physics, which would result in a creation of a completely new, scientifically founded musical genre—Quantum Music. Aside from constructing the new electronic music instrument which will be used exclusively for Quantum Music performances, the final stage of the project is a Quantum Music Live concert performed by LP Duo, who play on modified acoustic pianos directly connected to computer simulations of quantum systems and quantum experimental equipment.
quantummusic.org
Quantum Music was presented twice in Art+Science 2016 / 2017
feat. LP Duo (live)
EU project
The project Quantum Music is a meeting point of quantum physics and music. The project was initiated with the aim to explore the relations between music and quantum physics, which would result in a creation of a completely new, scientifically founded musical genre—Quantum Music. Aside from constructing the new electronic music instrument which will be used exclusively for Quantum Music performances, the final stage of the project is a Quantum Music Live concert performed by LP Duo, who play on modified acoustic pianos directly connected to computer simulations of quantum systems and quantum experimental equipment.
quantummusic.org
Quantum Music was presented twice in Art+Science 2016 / 2017
Quantum Music performed by LP Duo (RS)
Quantum Music
feat. LP Duo (live)
EU project
The project Quantum Music is a meeting point of quantum physics and music. The project was initiated with the aim to explore the relations between music and quantum physics, which would result in a creation of a completely new, scientifically founded musical genre—Quantum Music. Aside from constructing the new electronic music instrument which will be used exclusively for Quantum Music performances, the final stage of the project is a Quantum Music Live concert performed by LP Duo, who play on modified acoustic pianos directly connected to computer simulations of quantum systems and quantum experimental equipment.
quantummusic.org
Quantum Music was presented twice in Art+Science 2016 / 2017
feat. LP Duo (live)
EU project
The project Quantum Music is a meeting point of quantum physics and music. The project was initiated with the aim to explore the relations between music and quantum physics, which would result in a creation of a completely new, scientifically founded musical genre—Quantum Music. Aside from constructing the new electronic music instrument which will be used exclusively for Quantum Music performances, the final stage of the project is a Quantum Music Live concert performed by LP Duo, who play on modified acoustic pianos directly connected to computer simulations of quantum systems and quantum experimental equipment.
quantummusic.org
Quantum Music was presented twice in Art+Science 2016 / 2017
Quantum Music performed by LP Duo (RS)
Quantum Music
feat. LP Duo (live)
EU project
The project Quantum Music is a meeting point of quantum physics and music. The project was initiated with the aim to explore the relations between music and quantum physics, which would result in a creation of a completely new, scientifically founded musical genre—Quantum Music. Aside from constructing the new electronic music instrument which will be used exclusively for Quantum Music performances, the final stage of the project is a Quantum Music Live concert performed by LP Duo, who play on modified acoustic pianos directly connected to computer simulations of quantum systems and quantum experimental equipment.
quantummusic.org
Quantum Music was presented twice in Art+Science 2016 / 2017
feat. LP Duo (live)
EU project
The project Quantum Music is a meeting point of quantum physics and music. The project was initiated with the aim to explore the relations between music and quantum physics, which would result in a creation of a completely new, scientifically founded musical genre—Quantum Music. Aside from constructing the new electronic music instrument which will be used exclusively for Quantum Music performances, the final stage of the project is a Quantum Music Live concert performed by LP Duo, who play on modified acoustic pianos directly connected to computer simulations of quantum systems and quantum experimental equipment.
quantummusic.org
Quantum Music was presented twice in Art+Science 2016 / 2017
Isidora Todorović (RS) - artist of Horologium Nocturnum
Horologium Nocturnum is a spatial installation consisting of three hanging geometric elements with water dripping through them. It has been developed based on the water clock principle, where water is the unit of measure (factual and symbolic) of a given phenomenon that affects humans. Each object has been shaped as a generated fractal, showing the probability for the occurrence of three events, along with the three symbolic times they measure, through the amount of dripping water. In the context of this installation, water is seen twofold, as the symbolic flow of three times (human time, Earth time and solar time).
Horologium Nocturnum by Isidora Todorović (RS)
Horologium Nocturnum is a spatial installation consisting of three hanging geometric elements with water dripping through them. It has been developed based on the water clock principle, where water is the unit of measure (factual and symbolic) of a given phenomenon that affects humans. Each object has been shaped as a generated fractal, showing the probability for the occurrence of three events, along with the three symbolic times they measure, through the amount of dripping water. In the context of this installation, water is seen twofold, as the symbolic flow of three times (human time, Earth time and solar time).
Horologium Nocturnum by Isidora Todorović (RS)
Horologium Nocturnum is a spatial installation consisting of three hanging geometric elements with water dripping through them. It has been developed based on the water clock principle, where water is the unit of measure (factual and symbolic) of a given phenomenon that affects humans. Each object has been shaped as a generated fractal, showing the probability for the occurrence of three events, along with the three symbolic times they measure, through the amount of dripping water. In the context of this installation, water is seen twofold, as the symbolic flow of three times (human time, Earth time and solar time).
Marija and Milan Ličina (RS) - artists of To the Distant Ones...
To the Distant Ones… represents a generative interactive audio-visual experience with narrative properties indicating issues of potential methods of communication with other intelligent beings. Exploring language, forms of non-verbal communication, and stylization, the work examines the constant drive for the harmonization of human relations. The installation does not present a utopic view of humanity, instead posing questions of whether we can become like this and present ourselves in the best possible light to all those that (may) come.
To the Distant Ones... by Marija and Milan Ličina (RS)
To the Distant Ones… represents a generative interactive audio-visual experience with narrative properties indicating issues of potential methods of communication with other intelligent beings. Exploring language, forms of non-verbal communication, and stylization, the work examines the constant drive for the harmonization of human relations. The installation does not present a utopic view of humanity, instead posing questions of whether we can become like this and present ourselves in the best possible light to all those that (may) come.
To the Distant Ones... by Marija and Milan Ličina (RS)
To the Distant Ones… represents a generative interactive audio-visual experience with narrative properties indicating issues of potential methods of communication with other intelligent beings. Exploring language, forms of non-verbal communication, and stylization, the work examines the constant drive for the harmonization of human relations. The installation does not present a utopic view of humanity, instead posing questions of whether we can become like this and present ourselves in the best possible light to all those that (may) come.
MASSES by Quadrature (DE)
MASSES
Motors and Stones Searching for Equilibrium State
Two stones lie on top of a balanced steel plate. The aim of the machine is to create a perfect equilibrium state by moving the stones to the appropriate positions. The concept was developed during a residency at ESO—the European Southern Observatory in Chile.
Motors and Stones Searching for Equilibrium State
Two stones lie on top of a balanced steel plate. The aim of the machine is to create a perfect equilibrium state by moving the stones to the appropriate positions. The concept was developed during a residency at ESO—the European Southern Observatory in Chile.
MASSES by Quadrature (DE)
MASSES
Motors and Stones Searching for Equilibrium State
Two stones lie on top of a balanced steel plate. The aim of the machine is to create a perfect equilibrium state by moving the stones to the appropriate positions. The concept was developed during a residency at ESO—the European Southern Observatory in Chile.
Motors and Stones Searching for Equilibrium State
Two stones lie on top of a balanced steel plate. The aim of the machine is to create a perfect equilibrium state by moving the stones to the appropriate positions. The concept was developed during a residency at ESO—the European Southern Observatory in Chile.
Quadrature (DE) - artists of MASSES, Orbits and Unclassified Objects
Orbits by Quadrature (DE)
Merging the two sources, balancing between artistic autonomy and the necessary scientific rigorousness, the performance is an aesthetic and intuitive live experiment, revealing this new layer of human infrastructure.
Orbits by Quadrature (DE)
Merging the two sources, balancing between artistic autonomy and the necessary scientific rigorousness, the performance is an aesthetic and intuitive live experiment, revealing this new layer of human infrastructure.
Unclassified Objects by Quadrature (DE)
One database gathers only classified data, based on observations of (amateur) astronomers. It contains identified secret satellites, but also the ugly by-products of satellite technology: related space debris and even some completely unknown objects.
Unclassified Objects by Quadrature (DE)
One database gathers only classified data, based on observations of (amateur) astronomers. It contains identified secret satellites, but also the ugly by-products of satellite technology: related space debris and even some completely unknown objects.
Saša Spačal, Mirjan Švagelj, Anil Podgornik (SI) - artists of Myconnect
“For to connect is to affirm, and to affirm, to connect”. (John Rajchman)
Myconnect is a symbiotic interspecies connector that questions the anthropocentric nature-human division. With its circuit of signals and impulses, generated and translated by biological and technological organisms, Myconnect performs an immersive experience of symbiotic interdependence. Through this experience the technological nature-human distinction can be seen as an arbitrary definition that serves particular biopolitical interests in human society, which can then be shamelessly wrapped in an ideology of utilitarianism and may conceal excessive exploitation.
Myconnect is a symbiotic interspecies connector that questions the anthropocentric nature-human division. With its circuit of signals and impulses, generated and translated by biological and technological organisms, Myconnect performs an immersive experience of symbiotic interdependence. Through this experience the technological nature-human distinction can be seen as an arbitrary definition that serves particular biopolitical interests in human society, which can then be shamelessly wrapped in an ideology of utilitarianism and may conceal excessive exploitation.
Myconnect Saša Spačal, Mirjan Švagelj, Anil Podgornik (SI)
“For to connect is to affirm, and to affirm, to connect”. (John Rajchman)
Myconnect is a symbiotic interspecies connector that questions the anthropocentric nature-human division. With its circuit of signals and impulses, generated and translated by biological and technological organisms, Myconnect performs an immersive experience of symbiotic interdependence. Through this experience the technological nature-human distinction can be seen as an arbitrary definition that serves particular biopolitical interests in human society, which can then be shamelessly wrapped in an ideology of utilitarianism and may conceal excessive exploitation.
Myconnect is a symbiotic interspecies connector that questions the anthropocentric nature-human division. With its circuit of signals and impulses, generated and translated by biological and technological organisms, Myconnect performs an immersive experience of symbiotic interdependence. Through this experience the technological nature-human distinction can be seen as an arbitrary definition that serves particular biopolitical interests in human society, which can then be shamelessly wrapped in an ideology of utilitarianism and may conceal excessive exploitation.
Myconnect Saša Spačal, Mirjan Švagelj, Anil Podgornik (SI)
“For to connect is to affirm, and to affirm, to connect”. (John Rajchman)
Myconnect is a symbiotic interspecies connector that questions the anthropocentric nature-human division. With its circuit of signals and impulses, generated and translated by biological and technological organisms, Myconnect performs an immersive experience of symbiotic interdependence. Through this experience the technological nature-human distinction can be seen as an arbitrary definition that serves particular biopolitical interests in human society, which can then be shamelessly wrapped in an ideology of utilitarianism and may conceal excessive exploitation.
Myconnect is a symbiotic interspecies connector that questions the anthropocentric nature-human division. With its circuit of signals and impulses, generated and translated by biological and technological organisms, Myconnect performs an immersive experience of symbiotic interdependence. Through this experience the technological nature-human distinction can be seen as an arbitrary definition that serves particular biopolitical interests in human society, which can then be shamelessly wrapped in an ideology of utilitarianism and may conceal excessive exploitation.
Shinseungback Kimyonghun (KR) - artist of Flower and Cat or Human
Flower by Shinseungback Kimyonghun (KR)
Flower presents a series of distorted flower images that have still been recognized as “flowers” by a computer. The project attempts to examine computer vision and human vision by showing a distorted subject. The technology used for the project is the Google object recognition system, which is regarded as one of the best computer vision technologies in the world.
Flower by Shinseungback Kimyonghun (KR)
Flower presents a series of distorted flower images that have still been recognized as “flowers” by a computer. The project attempts to examine computer vision and human vision by showing a distorted subject. The technology used for the project is the Google object recognition system, which is regarded as one of the best computer vision technologies in the world.
Cat or Human by Shinseungback Kimyonghun (KR)
Human faces recognized as cat faces by a cat face detection algorithm. Cat faces recognized as human faces by a human face detection algorithm.
Alex Guevara (PE) - artist of ÑOQAYKU and UNIT Live
ÑOQAYKU by Alex Guevara (PE)
ÑOQAYKU is an ongoing research project by Alex Guevara resulting in a series of animated pictures about the armed conflict that took place in Peru during the years 1980–2000. ÑOQAYKU, through images and sounds, seeks to facilitate identification with the victims of the conflict, implying that they were not the others, that they were us.
ÑOQAYKU by Alex Guevara (PE)
ÑOQAYKU is an ongoing research project by Alex Guevara resulting in a series of animated pictures about the armed conflict that took place in Peru during the years 1980–2000. ÑOQAYKU, through images and sounds, seeks to facilitate identification with the victims of the conflict, implying that they were not the others, that they were us.
Cat or Human by Shinseungback Kimyonghun (KR)
Human faces recognized as cat faces by a cat face detection algorithm. Cat faces recognized as human faces by a human face detection algorithm.
UNIT Live by Alex Guevara (PE)
UNIT is an audiovisual live performance. It’s a compilation of previous audiovisual pieces by Alex Guevara.
UNIT Live by Alex Guevara (PE)
UNIT is an audiovisual live performance. It’s a compilation of previous audiovisual pieces by Alex Guevara.
raum.null (RS, AT) - artists of Dark Wind Trilogy feat. Mussurunga (live)
Quadrature (2014), with White Sample The Sixth Wave of Mass Extinction (2015), with Didi Bruckmayr Chant of The Proto-Alchemists (2016), with Mussurunga
Radical art as something that expresses important topics in a very basic and understandable way, maybe also in a loud and expressive way, is an important strategy to make the audience aware of a pressing socio-political topic. So if you want to use this as a strategy, it is important to act and think strategically, choose the right situation, and work it out thoroughly.
Radical art as something that expresses important topics in a very basic and understandable way, maybe also in a loud and expressive way, is an important strategy to make the audience aware of a pressing socio-political topic. So if you want to use this as a strategy, it is important to act and think strategically, choose the right situation, and work it out thoroughly.
Dark Wind Trilogy feat. Mussurunga (live) by raum.null (RS, AT)
Quadrature (2014), with White Sample The Sixth Wave of Mass Extinction (2015), with Didi Bruckmayr Chant of The Proto-Alchemists (2016), with Mussurunga
Radical art as something that expresses important topics in a very basic and understandable way, maybe also in a loud and expressive way, is an important strategy to make the audience aware of a pressing socio-political topic. So if you want to use this as a strategy, it is important to act and think strategically, choose the right situation, and work it out thoroughly.
Radical art as something that expresses important topics in a very basic and understandable way, maybe also in a loud and expressive way, is an important strategy to make the audience aware of a pressing socio-political topic. So if you want to use this as a strategy, it is important to act and think strategically, choose the right situation, and work it out thoroughly.
Dark Wind Trilogy feat. Mussurunga (live) by raum.null (RS, AT)
Quadrature (2014), with White Sample The Sixth Wave of Mass Extinction (2015), with Didi Bruckmayr Chant of The Proto-Alchemists (2016), with Mussurunga
Radical art as something that expresses important topics in a very basic and understandable way, maybe also in a loud and expressive way, is an important strategy to make the audience aware of a pressing socio-political topic. So if you want to use this as a strategy, it is important to act and think strategically, choose the right situation, and work it out thoroughly.
Radical art as something that expresses important topics in a very basic and understandable way, maybe also in a loud and expressive way, is an important strategy to make the audience aware of a pressing socio-political topic. So if you want to use this as a strategy, it is important to act and think strategically, choose the right situation, and work it out thoroughly.
Dark Wind Trilogy feat. Mussurunga (live) by raum.null (RS, AT)
Quadrature (2014), with White Sample The Sixth Wave of Mass Extinction (2015), with Didi Bruckmayr Chant of The Proto-Alchemists (2016), with Mussurunga
Radical art as something that expresses important topics in a very basic and understandable way, maybe also in a loud and expressive way, is an important strategy to make the audience aware of a pressing socio-political topic. So if you want to use this as a strategy, it is important to act and think strategically, choose the right situation, and work it out thoroughly.
Radical art as something that expresses important topics in a very basic and understandable way, maybe also in a loud and expressive way, is an important strategy to make the audience aware of a pressing socio-political topic. So if you want to use this as a strategy, it is important to act and think strategically, choose the right situation, and work it out thoroughly.
Azucena Giganto and Guillermo Casado (ES) - artists of Deep Life
Deep Life is an interactive installation that explores and reflects on the life and structure of the processes and relationships between living things that allow life to happen. The network of relationships can be observed at different scales—micro and macroscopic—and it is also something alive in itself, sensitive to the presence of visitors, it mutates and reacts unpredictably as an analogy to the interventions and actions of human beings in Nature.
Deep Life by Azucena Giganto and Guillermo Casado (ES)
Deep Life is an interactive installation that explores and reflects on the life and structure of the processes and relationships between living things that allow life to happen. The network of relationships can be observed at different scales—micro and macroscopic—and it is also something alive in itself, sensitive to the presence of visitors, it mutates and reacts unpredictably as an analogy to the interventions and actions of human beings in Nature.
Deep Life by Azucena Giganto and Guillermo Casado (ES)
Deep Life is an interactive installation that explores and reflects on the life and structure of the processes and relationships between living things that allow life to happen. The network of relationships can be observed at different scales—micro and macroscopic—and it is also something alive in itself, sensitive to the presence of visitors, it mutates and reacts unpredictably as an analogy to the interventions and actions of human beings in Nature.
Paolo Cirio (IT) - artist of Face to Facebook
Paolo Cirio, Alessandro Ludovico (IT)
Face to Facebook
The project addressed surveillance, privacy and the economy of social media monopolies as well as art interventions within global media. During the performance the artwork received over a thousand mentions in the international press, eleven legal threats, five death threats, and several letters from the lawyers of Facebook.
Face to Facebook
The project addressed surveillance, privacy and the economy of social media monopolies as well as art interventions within global media. During the performance the artwork received over a thousand mentions in the international press, eleven legal threats, five death threats, and several letters from the lawyers of Facebook.
Face to Facebook by Paolo Cirio and Alessandro Ludovico (IT)
Paolo Cirio, Alessandro Ludovico (IT)
Face to Facebook
The project addressed surveillance, privacy and the economy of social media monopolies as well as art interventions within global media. During the performance the artwork received over a thousand mentions in the international press, eleven legal threats, five death threats, and several letters from the lawyers of Facebook.
Face to Facebook
The project addressed surveillance, privacy and the economy of social media monopolies as well as art interventions within global media. During the performance the artwork received over a thousand mentions in the international press, eleven legal threats, five death threats, and several letters from the lawyers of Facebook.
Alessandro Ludovico (IT) - artist of Face to Facebook
Paolo Cirio, Alessandro Ludovico (IT)
Face to Facebook
The project addressed surveillance, privacy and the economy of social media monopolies as well as art interventions within global media. During the performance the artwork received over a thousand mentions in the international press, eleven legal threats, five death threats, and several letters from the lawyers of Facebook.
Face to Facebook
The project addressed surveillance, privacy and the economy of social media monopolies as well as art interventions within global media. During the performance the artwork received over a thousand mentions in the international press, eleven legal threats, five death threats, and several letters from the lawyers of Facebook.
Face to Facebook by Paolo Cirio and Alessandro Ludovico (IT)
Paolo Cirio, Alessandro Ludovico (IT)
Face to Facebook
The project addressed surveillance, privacy and the economy of social media monopolies as well as art interventions within global media. During the performance the artwork received over a thousand mentions in the international press, eleven legal threats, five death threats, and several letters from the lawyers of Facebook.
Face to Facebook
The project addressed surveillance, privacy and the economy of social media monopolies as well as art interventions within global media. During the performance the artwork received over a thousand mentions in the international press, eleven legal threats, five death threats, and several letters from the lawyers of Facebook.
Dragan Ilić - artist of Cluster Z-III / RoboAction live
Inspired by investigations in contemporary physics into the multiverse, the artist drew on paper with amplified sound, simultaneously projecting images onto moving balloons. The artist performed in a specially constructed simulated “Virtual Reality” suit with attached TV helmet. “Physics and mathematics inform my work. I explore in visual and aural terms the power of technology—manual and robotic—in collaboration with human volition and intuition. My work considers the threshold between our quasi-android relationship with tools today and the robotics of tomorrow.”
Cluster Z-III / RoboAction live by Dragan Ilić (RS, AU, US)
Inspired by investigations in contemporary physics into the multiverse, the artist drew on paper with amplified sound, simultaneously projecting images onto moving balloons. The artist performed in a specially constructed simulated “Virtual Reality” suit with attached TV helmet. “Physics and mathematics inform my work. I explore in visual and aural terms the power of technology—manual and robotic—in collaboration with human volition and intuition. My work considers the threshold between our quasi-android relationship with tools today and the robotics of tomorrow.”
Cluster Z-III / RoboAction live by Dragan Ilić (RS, AU, US)
Inspired by investigations in contemporary physics into the multiverse, the artist drew on paper with amplified sound, simultaneously projecting images onto moving balloons. The artist performed in a specially constructed simulated “Virtual Reality” suit with attached TV helmet. “Physics and mathematics inform my work. I explore in visual and aural terms the power of technology—manual and robotic—in collaboration with human volition and intuition. My work considers the threshold between our quasi-android relationship with tools today and the robotics of tomorrow.”
Cluster Z-III / RoboAction live by Dragan Ilić (RS, AU, US)
Inspired by investigations in contemporary physics into the multiverse, the artist drew on paper with amplified sound, simultaneously projecting images onto moving balloons. The artist performed in a specially constructed simulated “Virtual Reality” suit with attached TV helmet. “Physics and mathematics inform my work. I explore in visual and aural terms the power of technology—manual and robotic—in collaboration with human volition and intuition. My work considers the threshold between our quasi-android relationship with tools today and the robotics of tomorrow.”
Cluster Z-III / RoboAction live by Dragan Ilić (RS, AU, US)
Inspired by investigations in contemporary physics into the multiverse, the artist drew on paper with amplified sound, simultaneously projecting images onto moving balloons. The artist performed in a specially constructed simulated “Virtual Reality” suit with attached TV helmet. “Physics and mathematics inform my work. I explore in visual and aural terms the power of technology—manual and robotic—in collaboration with human volition and intuition. My work considers the threshold between our quasi-android relationship with tools today and the robotics of tomorrow.”
Dušan Rodić (RS), Mi-Ah Rödiger (DE), Timo Preece (US) - artists of Tuning In
Tuning In
“My brain is only a receiver, in the Universe there is a core from which we obtain knowledge, strength, and inspiration. I have not penetrated into the secrets of this core, but I know that it exists.” (Nikola Tesla)
Step into the process of light becoming energy, transforming into sound. Look into your shadow, find the frequency, remember it. Tune in every day.
“My brain is only a receiver, in the Universe there is a core from which we obtain knowledge, strength, and inspiration. I have not penetrated into the secrets of this core, but I know that it exists.” (Nikola Tesla)
Step into the process of light becoming energy, transforming into sound. Look into your shadow, find the frequency, remember it. Tune in every day.
Tuning In by Dušan Rodić (RS), Mi-Ah Rödiger (DE), Timo Preece (US)
“My brain is only a receiver, in the Universe there is a core from which we obtain knowledge, strength, and inspiration. I have not penetrated into the secrets of this core, but I know that it exists.” (Nikola Tesla)
Step into the process of light becoming energy, transforming into sound. Look into your shadow, find the frequency, remember it. Tune in every day.
Step into the process of light becoming energy, transforming into sound. Look into your shadow, find the frequency, remember it. Tune in every day.
Tuning In by Dušan Rodić (RS), Mi-Ah Rödiger (DE), Timo Preece (US)
“My brain is only a receiver, in the Universe there is a core from which we obtain knowledge, strength, and inspiration. I have not penetrated into the secrets of this core, but I know that it exists.” (Nikola Tesla)
Step into the process of light becoming energy, transforming into sound. Look into your shadow, find the frequency, remember it. Tune in every day.
Step into the process of light becoming energy, transforming into sound. Look into your shadow, find the frequency, remember it. Tune in every day.
Karkatag (RS) - artists of From Safety to Where?
From Safety to Where?
The interactive installation From Safety to Where? is an invitation to an un-safe game, where you as an individual will probably suffer no consequences but will take part in physical destruction and the creation of un-safe conditions and the illusion of risk. In this sense, the work is evocative of a specific childhood experience—taking part in forbidden games and irresponsible activities, not thinking of the consequences.
The interactive installation From Safety to Where? is an invitation to an un-safe game, where you as an individual will probably suffer no consequences but will take part in physical destruction and the creation of un-safe conditions and the illusion of risk. In this sense, the work is evocative of a specific childhood experience—taking part in forbidden games and irresponsible activities, not thinking of the consequences.
From Safety to Where? by Karkatag (RS)
From Safety to Where?
The interactive installation From Safety to Where? is an invitation to an un-safe game, where you as an individual will probably suffer no consequences but will take part in physical destruction and the creation of un-safe conditions and the illusion of risk. In this sense, the work is evocative of a specific childhood experience—taking part in forbidden games and irresponsible activities, not thinking of the consequences.
The interactive installation From Safety to Where? is an invitation to an un-safe game, where you as an individual will probably suffer no consequences but will take part in physical destruction and the creation of un-safe conditions and the illusion of risk. In this sense, the work is evocative of a specific childhood experience—taking part in forbidden games and irresponsible activities, not thinking of the consequences.
From Safety to Where? by Karkatag (RS)
From Safety to Where?
The interactive installation From Safety to Where? is an invitation to an un-safe game, where you as an individual will probably suffer no consequences but will take part in physical destruction and the creation of un-safe conditions and the illusion of risk. In this sense, the work is evocative of a specific childhood experience—taking part in forbidden games and irresponsible activities, not thinking of the consequences.
The interactive installation From Safety to Where? is an invitation to an un-safe game, where you as an individual will probably suffer no consequences but will take part in physical destruction and the creation of un-safe conditions and the illusion of risk. In this sense, the work is evocative of a specific childhood experience—taking part in forbidden games and irresponsible activities, not thinking of the consequences.
Quantum Music performed by LP Duo (live) (RS)
The project Quantum Music is a meeting point of quantum physics and music. The project was initiated with the aim to explore the relations between music and quantum physics, which would result in a creation of a completely new, scientifically founded musical genre—Quantum Music. Aside from constructing the new electronic music instrument which will be used exclusively for Quantum Music performances, the final stage of the project is a Quantum Music Live concert performed by LP Duo, who play on modified acoustic pianos directly connected to computer simulations of quantum systems and quantum experimental equipment.
quantummusic.org
Quantum Music was presented twice in Art+Science 2016 / 2017
quantummusic.org
Quantum Music was presented twice in Art+Science 2016 / 2017
From Safety to Where? by Karkatag (RS)
From Safety to Where?
The interactive installation From Safety to Where? is an invitation to an un-safe game, where you as an individual will probably suffer no consequences but will take part in physical destruction and the creation of un-safe conditions and the illusion of risk. In this sense, the work is evocative of a specific childhood experience—taking part in forbidden games and irresponsible activities, not thinking of the consequences.
The interactive installation From Safety to Where? is an invitation to an un-safe game, where you as an individual will probably suffer no consequences but will take part in physical destruction and the creation of un-safe conditions and the illusion of risk. In this sense, the work is evocative of a specific childhood experience—taking part in forbidden games and irresponsible activities, not thinking of the consequences.
Nick Sousanis (US) - artist of Unflattening
Unflattening, the doctoral dissertation defended in 2014 at the University of Columbia, is written and drawn entirely as comics. Through this amazing work of graphical art, the author Nick Sousanis defies conventional forms of scholarly discourse with a serious inquiry into the ways humans construct knowledge.
Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, Sousanis uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. His vibrant, constantly morphing images connect in nonlinear fashion to other visual references, becoming allusions, allegories, and motifs, pitting realism against abstraction.
Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, Sousanis uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. His vibrant, constantly morphing images connect in nonlinear fashion to other visual references, becoming allusions, allegories, and motifs, pitting realism against abstraction.
Unflattening by Nick Sousanis (US)
Unflattening, the doctoral dissertation defended in 2014 at the University of Columbia, is written and drawn entirely as comics. Through this amazing work of graphical art, the author Nick Sousanis defies conventional forms of scholarly discourse with a serious inquiry into the ways humans construct knowledge.
Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, Sousanis uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. His vibrant, constantly morphing images connect in nonlinear fashion to other visual references, becoming allusions, allegories, and motifs, pitting realism against abstraction.
Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, Sousanis uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. His vibrant, constantly morphing images connect in nonlinear fashion to other visual references, becoming allusions, allegories, and motifs, pitting realism against abstraction.
Unflattening by Nick Sousanis (US)
Unflattening, the doctoral dissertation defended in 2014 at the University of Columbia, is written and drawn entirely as comics. Through this amazing work of graphical art, the author Nick Sousanis defies conventional forms of scholarly discourse with a serious inquiry into the ways humans construct knowledge.
Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, Sousanis uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. His vibrant, constantly morphing images connect in nonlinear fashion to other visual references, becoming allusions, allegories, and motifs, pitting realism against abstraction.
Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, Sousanis uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. His vibrant, constantly morphing images connect in nonlinear fashion to other visual references, becoming allusions, allegories, and motifs, pitting realism against abstraction.
Universal Objects by Tanja Vujinović (RS/SI)
At the Gallery of Science and Technology of the Serbian Academy of Sciences and Arts, Tanja Vujinović exhibited five works from the Universal Objects cycle: Park 1, Park 2, Garden, Observers, and Levitations. These are works created in real-time computer game environments. The digital world is taken over by mutated objects, creating a space for contemplation and relaxation. Visitors can enjoy chance walks or embark on an unlimited exploration of space; through the use of a keyboard, anyone’s avatar may systematically discover the author’s virtual world. Through her work, Tanja is analyzing the relationship between awareness and technology, through digital animism and contemplative play.
Universal Objects by Tanja Vujinović (RS/SI)
At the Gallery of Science and Technology of the Serbian Academy of Sciences and Arts, Tanja Vujinović exhibited five works from the Universal Objects cycle: Park 1, Park 2, Garden, Observers, and Levitations. These are works created in real-time computer game environments. The digital world is taken over by mutated objects, creating a space for contemplation and relaxation. Visitors can enjoy chance walks or embark on an unlimited exploration of space; through the use of a keyboard, anyone’s avatar may systematically discover the author’s virtual world. Through her work, Tanja is analyzing the relationship between awareness and technology, through digital animism and contemplative play.
Tanja Vujinović (RS/SI) - artist of Universal Objects
At the Gallery of Science and Technology of the Serbian Academy of Sciences and Arts, Tanja Vujinović exhibited five works from the Universal Objects cycle: Park 1, Park 2, Garden, Observers, and Levitations. These are works created in real-time computer game environments. The digital world is taken over by mutated objects, creating a space for contemplation and relaxation. Visitors can enjoy chance walks or embark on an unlimited exploration of space; through the use of a keyboard, anyone’s avatar may systematically discover the author’s virtual world. Through her work, Tanja is analyzing the relationship between awareness and technology, through digital animism and contemplative play.
CREATIONS feat. primary schoolchildren from Belgrade and Ruki Krstur (live)
Among the current CPN projects, a special place is held by those dedicated to improving teaching at schools and supporting interdisciplinary cooperation among teachers. If we were to go a step further, we could ask the following: Can math and music teachers hold classes together? Do drama skills have any value in the chemistry classroom? Is a scientific opera at all possible? The answers to these and many other dilemmas in connecting and intertwining arts and science in the educational process are offered by the large scale European project CREATIONS. Financed through the EU program Horizon 2020, it gathers various institutions, universities, associations, and institutes engaged in creativity and science education in eleven European countries—Germany, Switzerland, Spain, Great Britain, Greece, Norway, Finland, Malta, France, Sweden, and Serbia. creations-project.eu
Artist Biographies - Art + Science exhibition II 2017 / CPN
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