The Print Archive of Ars Electronica covers publications since 1979 in the fields of Cyber Arts/Prix, Festival and special publications and as well as the audio-visual supplements, museum brochures, updates and special publications. All text and articles are searchable and readable. The festival catalogues are since 2000 in the original layout as PDFs, for the preceding years, only the OCR text information was preserved but they are also readable. CyberArts catalogues are complete PDFs, catalogues before 2005 were physically digitised, as the print data no longer exists.
From 1987 onwards, the Brucknerhaus Linz has chosen the main topics for Ars Electronica to focus on - in 1987, this was "Free Sound" in its many different varieties comprising sound-scenes, sound-bodies and sound-images, demonstrating sound-power and arranged as a sound-park with sound-sculptures around the Brucknerhaus where also the Europe Video Stage was established. In 1987, the Autrian Broadcasting Corporation ORF organized the first "Prix Ars Electronica", the international computer art competition endowed with the highest prize-money - namely one million Austrian schillings. The ORF also chose "Art and Artificial Intelligence" as a general topic for the Ars Electronica Days of Computer Culture.
TITLE | AUTHOR | ||
---|---|---|---|
Impressum | |||
Geleitwort | Hugo Schanovsky | ||
Inhalt | |||
Terminkalender | |||
Vorwort | Karl Gerbel | ||
Der freie Klang | |||
Der freie Klang zwischen Schweigen, Geräusch und Musik | Peter Weibel | ||
Ein Ohr allein ist kein Wesen (John Cage) | Daniel Charles | ||
An ear alone is not a being (John Cage) | Daniel Charles | ||
The space … is transformed into pure sound | Reinhard Oehlschlägel | ||
The Sound of Music | Douglas Kahn | ||
Klangskulpturen – Ein Bericht aus Amerika | Kevin Concannon | ||
Neue Instrumente und Klangskulpturen: Ein Überblick | Hugh Davis | ||
Körpersprache | Kaja Silverman | ||
Klang-Park | |||
Klangstraße | Gerlinde Beck | ||
Wind Gamelan/Spin-a-Tune | Bill Buchen / Mary Buchen | ||
Klangmikado | Waltraud Cooper | ||
Musik, die vom Fluß kommt ... | Julius | ||
Aus dem Klangwald ´87 | Edmund Kieselbach | ||
Klangwiese | Christina Kubisch | ||
Light Voices | Ron Kuivila | ||
Metal Mesh Pieces | Richard Lerman | ||
Riverworks | Bruce Odland | ||
Langsaiteninstallation | Paul Panhuysen / Johan Goedhart | ||
Windspun for Linz | Liz Phillips | ||
Großer Bogen | Thomas Rother | ||
Spectral Musik | Peter Weibel | ||
RadioARTives Konferenzmöbel | Chris Haring | ||
Klangskulpturen (1984) | |||
Klangszenen | |||
Differance | Earl Howard | ||
Live-Konzert Langsaiteninstallation | Paul Panhuysen / Johan Goedhart | ||
Travelon – Gamelon | Richard Lerman | ||
Klang-Stärken | |||
In Light of Sound | David Hykes | ||
Die Donnergötter | Rhys Chatham | ||
Klang-Körper | |||
Aorta | Jeanette Yanikian | ||
Kostrument | Harry de Wit | ||
Touch Monkeys | Michel Waisvisz | ||
Raumklänge | Alvin Curran | ||
Klang-Bilder | |||
Zwei Zimmer | Pas Paravant | ||
Box Man | David Felder / Henry Jesionka / Peter Weibel | ||
Programm #5 (Kopfstich) | Peter Praschl / Monochrome Bleu | ||
Stadtwerkstatt TV | |||
Videobühne Europa | |||
Infermental | Veruschka Bódy | ||
Österreich | Ilse Gassinger | ||
BRD | Dieter Daniels | ||
Schweiz | Rinaldo Bianda | ||
Holland | Tom van Vliet | ||
Spanien | Karin Ohlenschläger | ||
Italien | Lola Bonora | ||
Jugoslawien | Biljana Tomić | ||
England | Jeremy Welsh | ||
Die Systemische Malerei | Peter Kotauczek | ||
Messaggio | Piero Bordin | ||
Der befreite Klang | |||
Biografien Teil 1 | |||
Biografien Teil 2 | |||
Biografien |