Ars Electronica Archive
Prix
Prix Map
Pictures
Videos
Publications
Special Projects
Women in Media Art
Publications
The Print Archive of Ars Electronica documents publications from 1979 onwards in the fields of Cyber Arts/Prix, Festival and special publications, including audiovisual supplements, museum brochures, updates, and other special editions. All texts and articles are fully searchable and readable. Festival catalogues are available as PDFs in their original layout from 2000 onwards; for earlier years, only the OCR text is preserved, but these are also readable. CyberArts catalogues are complete PDFs, while catalogues prior to 2005 were physically digitized, as the original print data no longer exists.
Since 2024, the archive also contains the estate of Hannes Leopoldseder, one of the founders of Ars Electronica, which comprises a significant collection of digitized historical documents.
Catalogue: Kunst der Szene
In 1988, "The Art of the Scene" was the general topic of Ars Electronica's programme as conceived by the Brucknerhaus. It focused on the fusion of various disciplines of art. Composers, stage designers, choreographers, video and filmmakers created joint projects for the Festival. Audio Art was included into the Festival programme and the Video Stage paid tribute to 30 years of Video Art in America. The Austrian Broadcasting Corporation ORF organized the second "Prix Ars Electronica", chose "The Electronic Cinema" as a topic for the Ars Electronica Days of Computer Culture and provided a meeting-point for computer artists from East and West with the East-West Dialogue.
| TITLE | AUTHOR | ||
|---|---|---|---|
 |
|
Impressum | |
|
|
Inhalt | |
|
|
Geleitwort | Franz Dobusch |
|
|
Vorwort | Karl Gerbel |
|
|
Veranstaltungskalender | |
|
|
… horrend honorige Hommage … zur Eröffnung von Ars Electronica 88 | |
|
|
Einleitung. Geschichtliche Extraktion zum Thema | Gottfried Hattinger |
|
|
Kunst der Szene | Peter Weibel |
|
|
Die Vereinigung der Künste in den Theatervisionen der frühen Moderne | Barbara Lesack |
|
|
Experimentelle Musik in Szene | Reinhard Oehlschlägel |
|
|
Film und Architektur: Schnittpunkte des Illusionismus | Brian Henderson |
|
|
Nachkriegs-Performance: Das Vermischen von Kunstformen und Kunstsparten | Peter Frank |
|
|
Invitation | Peter Gente / Adelheid Paris |
|
|
Hochtechnologie und Amechanie | Hannes Böhringer |
|
|
Wahrnehmen | Heinz von Foerster |
|
|
Das Gedächtnis | Vilém Flusser |
|
|
Fiktion und Simulation | Friedrich Kittler |
|
|
Territorium und Technik | Peter Weibel |
|
|
Videowelt und fraktales Subjekt | Jean Baudrillard |
|
|
Die mechanische Bauhausbühne | Theater der Klänge |
|
|
MAeLSTROMSÜDPOL | Erich Wonder / Heiner Goebbels / Heiner Müller |
|
|
XEN. 3–D Movie Concert | Thomas Shannon / Jon Hassell |
|
|
Looking upon the Wide Waste of Liquid Ebony | Heiner Goebbels |
|
|
Hungers | Morton Subotnick / Ed Emshwiller |
|
|
Stimmen aus dem Innenraum | Susanne Widl / Patricia Jünger / VALIE EXPORT |
|
|
bewegt – erstarrt, klang- und körperfiguren | Mia Zabelka / Peter A. Egger |
|
|
Sciame | Enzo Cosimi / Fabrizio Plessi / Luca Spagnoletti |
|
|
Szenen/Räume | Ausstellung Kunsthochschule Linz |
|
|
Radial Arcs . | Ron Kuivila |
|
|
Scherzophren | Waltraut Cooper |
|
|
Wettergebäude | Stadtwerkstatt |
|
|
30 Jahre Videokunst in den USA | John G. Hanhardt |
|
|
Infermental Nr. 7 | Chris Hill / Tony Conrad / Peter Weibel |
|
|
Landscapes of Address | Chris Hill |
|
|
Catching up to Video at Home and Abroad | Tony Conrad |
|
|
Öffentliche Bilder und Bilder der Macht | Peter Weibel |
|
|
Early Minimalism: February 1965 | Tony Conrad |
|
|
Klang-Park | |
|
|
Schaf-Musik-Konzert-Schloß | Henning Christiansen |
|
|
Solar-Musik-Gewächshaus | Joe Jones |
|
|
The Appointed Cloud 3 | Yoshi Wada |
|
|
3. Internationales Audio Art Symposium | |
|
|
Vorwort | Matthias Osterwold |
|
|
A New Paragon - Ein neues Leitbild | Paul Panhuysen |
|
|
Audio Art Raum | Rolf Langebartels |
|
|
Die dritte synästhetische Welle in der modernen Kunst | Frans Evers |
|
|
Imaginary Landscape: Electronik in Live-performance, 1989 & 1939 | Nicolas Collins |
|
|
Bells & Voice | Llorenç Barber |
|
|
Halb-medium oder ganz-medium. Grenzformen der Entkunstung | Frieder Butzmann / Thomas Kapielski |
|
|
100 of the World`s Most Beautiful Melodies | Nicolas Collins |
|
|
Die Luftmenschen | Arnold Dreyblatt |
|
|
Terre Separate Terre Unite | Giardini Pensili |
|
|
Als das Verwünschen noch geholfen hat – "5 hören" | Hans Peter Kuhn |
|
|
Hex/"Holosound" | Logos-Duo |
|
|
Speaker Swinging | Gordon Monahan |
|
|
Requiem for an Unknown Soldier/ "Trattato della Pittura II. Sinfonia per trompe elettropneumatiche" | Paul Panhuysen |
|
|
Flip-Flop | Horst Rickels |
|
|
Private Hungary - Ungarn privat | Péter Forgács / Tibor Szemzö |
|
|
Die dynamische Integrität des Geräusches | Vivenza |
|
|
Biografien Teil 1 | |
|
|
Biografien Teil 2 | |