The Print Archive of Ars Electronica covers publications since 1979 in the fields of Cyber Arts/Prix, Festival and special publications and as well as the audio-visual supplements, museum brochures, updates and special publications. All text and articles are searchable and readable. The festival catalogues are since 2000 in the original layout as PDFs, for the preceding years, only the OCR text information was preserved but they are also readable. CyberArts catalogues are complete PDFs, catalogues before 2005 were physically digitised, as the print data no longer exists.
In 1988, "The Art of the Scene" was the general topic of Ars Electronica's programme as conceived by the Brucknerhaus. It focused on the fusion of various disciplines of art. Composers, stage designers, choreographers, video and filmmakers created joint projects for the Festival. Audio Art was included into the Festival programme and the Video Stage paid tribute to 30 years of Video Art in America. The Austrian Broadcasting Corporation ORF organized the second "Prix Ars Electronica", chose "The Electronic Cinema" as a topic for the Ars Electronica Days of Computer Culture and provided a meeting-point for computer artists from East and West with the East-West Dialogue.
TITLE | AUTHOR | ||
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Impressum | |||
Inhalt | |||
Geleitwort | Franz Dobusch | ||
Vorwort | Karl Gerbel | ||
Veranstaltungskalender | |||
… horrend honorige Hommage … zur Eröffnung von Ars Electronica 88 | |||
Einleitung. Geschichtliche Extraktion zum Thema | Gottfried Hattinger | ||
Kunst der Szene | Peter Weibel | ||
Die Vereinigung der Künste in den Theatervisionen der frühen Moderne | Barbara Lesack | ||
Experimentelle Musik in Szene | Reinhard Oehlschlägel | ||
Film und Architektur: Schnittpunkte des Illusionismus | Brian Henderson | ||
Nachkriegs-Performance: Das Vermischen von Kunstformen und Kunstsparten | Peter Frank | ||
Invitation | Peter Gente / Adelheid Paris | ||
Hochtechnologie und Amechanie | Hannes Böhringer | ||
Wahrnehmen | Heinz von Foerster | ||
Das Gedächtnis | Vilém Flusser | ||
Fiktion und Simulation | Friedrich Kittler | ||
Territorium und Technik | Peter Weibel | ||
Videowelt und fraktales Subjekt | Jean Baudrillard | ||
Die mechanische Bauhausbühne | Theater der Klänge | ||
MAeLSTROMSÜDPOL | Erich Wonder / Heiner Goebbels / Heiner Müller | ||
XEN. 3–D Movie Concert | Thomas Shannon / Jon Hassell | ||
Looking upon the Wide Waste of Liquid Ebony | Heiner Goebbels | ||
Hungers | Ed Emshwiller / Morton Subotnick | ||
Stimmen aus dem Innenraum | Susanne Widl / Patricia Jünger / Valie Export | ||
bewegt – erstarrt, klang- und körperfiguren | Peter A. Egger / Mia Zabelka | ||
Sciame | Enzo Cosimi / Fabrizio Plessi / Luca Spagnoletti | ||
Szenen/Räume | Ausstellung Kunsthochschule Linz | ||
Radial Arcs . | Ron Kuivila | ||
Scherzophren | Waltraud Cooper | ||
Wettergebäude | Stadtwerkstatt | ||
30 Jahre Videokunst in den USA | John G. Hanhardt | ||
Infermental Nr. 7 | Chris Hill / Peter Weibel / Tony Conrad | ||
Landscapes of Address | Chris Hill | ||
Catching up to Video at Home and Abroad | Tony Conrad | ||
Öffentliche Bilder und Bilder der Macht | Peter Weibel | ||
Early Minimalism: February 1965 | Tony Conrad | ||
Klang-Park | |||
Schaf-Musik-Konzert-Schloß | Henning Christiansen | ||
Solar-Musik-Gewächshaus | Joe Jones | ||
The Appointed Cloud 3 | Yoshi Wada | ||
3. Internationales Audio Art Symposium | |||
Vorwort | Matthias Osterwold | ||
A New Paragon - Ein neues Leitbild | Paul Panhuysen | ||
Audio Art Raum | Rolf Langebartels | ||
Die dritte synästhetische Welle in der modernen Kunst | Frans Evers | ||
Imaginary Landscape: Electronik in Live-performance, 1989 & 1939 | Nicolas Collins | ||
Bells & Voice | Llorenç Barber | ||
Halb-medium oder ganz-medium. Grenzformen der Entkunstung | Frieder Butzmann / Thomas Kapielski | ||
100 of the World`s Most Beautiful Melodies | Nicolas Collins | ||
Die Luftmenschen | Arnold Dreyblatt | ||
Terre Separate Terre Unite | Giardini Pensili | ||
Als das Verwünschen noch geholfen hat – "5 hören" | Hans Peter Kuhn | ||
Hex/"Holosound" | Logos-Duo | ||
Speaker Swinging | Gordon Monahan | ||
Requiem for an Unknown Soldier/ "Trattato della Pittura II. Sinfonia per trompe elettropneumatiche" | Paul Panhuysen | ||
Flip-Flop | Horst Rickels | ||
Private Hungary - Ungarn privat | Tibor Szemzö / Péter Forgács | ||
Die dynamische Integrität des Geräusches | Vivenza | ||
Biografien Teil 1 | |||
Biografien Teil 2 |