Ars Electronica Archive
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Publications
The Print Archive of Ars Electronica documents publications from 1979 onwards in the fields of Cyber Arts/Prix, Festival and special publications, including audiovisual supplements, museum brochures, updates, and other special editions. All texts and articles are fully searchable and readable. Festival catalogues are available as PDFs in their original layout from 2000 onwards; for earlier years, only the OCR text is preserved, but these are also readable. CyberArts catalogues are complete PDFs, while catalogues prior to 2005 were physically digitized, as the original print data no longer exists.
Since 2024, the archive also contains the estate of Hannes Leopoldseder, one of the founders of Ars Electronica, which comprises a significant collection of digitized historical documents.
Katalog: Kunst der Szene. Supplement: English Translation
In 1988, "The Art of the Scene" was the general topic of Ars Electronica's programme as conceived by the Brucknerhaus. It focused on the fusion of various disciplines of art. Composers, stage designers, choreographers, video and filmmakers created joint projects for the Festival. Audio Art was included into the Festival programme and the Video Stage paid tribute to 30 years of Video Art in America. The Austrian Broadcasting Corporation ORF organized the second "Prix Ars Electronica", chose "The Electronic Cinema" as a topic for the Ars Electronica Days of Computer Culture and provided a meeting-point for computer artists from East and West with the East-West Dialogue.
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Impressum | |
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Contents | |
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Foreword | Franz Dobusch |
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Foreword | Karl Gerbel |
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Veranstaltungskalender | |
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… horrific honorific hommage for the opening of Ars Electronica | |
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Introduction. A Historical Survey on the Subject | Gottfried Hattinger |
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Art of the Scene – The Inscenation of Art | Peter Weibel |
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The Union of the Arts in the theatrical visions of the early Modern: from Kandinsky´s Synaesthetic Theatre to the Mechanical Show Machinery by El Lissitzky | Barbara Lesack |
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Experimental Music in the Limelight | Reinhard Oehlschlägel |
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Cinema and Architecture: Intersections of Illusionism | Brian Henderson |
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Postwar Performance: Mixing Means and Metiers | Peter Frank |
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Invitation | Peter Gente / Adelheid Paris |
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High Technology of Amechania | Hannes Böhringer |
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Perceiving | Heinz von Foerster |
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The Memory | Vilém Flusser |
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Fiction and Simulation | Friedrich Kittler |
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Video World and Fractal Subject | Jean Baudrillard |
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The Mechanical Bauhausstage | Theater der Klänge |
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Maelstromsüdpol | Erich Wonder / Heiner Goebbels / Heiner Müller |
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XEN. 3-D Movie Concert | Thomas Shannon / Jon Hassell |
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Looking upon the Wide Waste of Liquid Ebony | Heiner Goebbels |
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Hungers | Morton Subotnick / Ed Emshwiller |
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Voices from an Innerspace | Susanne Widl / Patricia Jünger / VALIE EXPORT |
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moving – frozen, sound and body figures | Mia Zabelka / Peter A. Egger |
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Sciame | Enzo Cosimi / Fabrizio Plessi / Luca Spagnoletti |
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Scenes/Spaces | Ausstellung Kunsthochschule Linz |
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Radial Arcs | Ron Kuivila |
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Scherzophren | Waltraut Cooper |
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Weather Building | Stadtwerkstatt |
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New American Video Art: A Historical Survey, 1967–1988 | John G. Hanhardt |
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Infermental 7 | Chris Hill / Tony Conrad / Peter Weibel |
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Landscapes of Address | Chris Hill |
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Catching up to video at Home and abroad | Tony Conrad |
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Early Minimalism: January 1965 | Tony Conrad |
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Sound Park | |
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Sheep-Music-Concert-Castle | Henning Christiansen |
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Solar Music Hot House | Joe Jones |
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The Appointed Cloud 3 | Yoshi Wada |
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3rd International Audio Art Symposium | |
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Introduction | Matthias Osterwold |
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Audio Art: Space | Rolf Langebartels |
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The Third Synaesthetic Wave in Modern Art | Frans Evers |
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Imaginary Landscape: Electronics in Live Performance, 1989 & 1939 | Nicolas Collins |
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Spanish Bells | Llorenç Barber |
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Half-medium or full-medium. The limits of De-art-ization | Frieder Butzmann / Thomas Kapielski |
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100 of the World´s Most Beautiful Melodies | Nicolas Collins |
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Die Luftmenschen | Arnold Dreyblatt |
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Separated Worlds – United Worlds | Giardini Pensili |
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When Cursing was Working / "5 Listening" | Hans Peter Kuhn |
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HEX/"Holosound" | Logos-Duo |
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Speaker Swinging | Gordon Monahan |
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Requiem for an Unknown Soldier/ "Trattato della Pittura II. Sinfonia per trompe elettropneumatiche" | Paul Panhuysen |
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Flip-Flop | Horst Rickels |
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Private Hungary - Ungarn privat | Péter Forgács / Tibor Szemzö |
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Dynamic Integrity of Noise | Vivenza |