The Print Archive of Ars Electronica covers publications since 1979 in the fields of Cyber Arts/Prix, Festival and special publications and as well as the audio-visual supplements, museum brochures, updates and special publications. All text and articles are searchable and readable. The festival catalogues are since 2000 in the original layout as PDFs, for the preceding years, only the OCR text information was preserved but they are also readable. CyberArts catalogues are complete PDFs, catalogues before 2005 were physically digitised, as the print data no longer exists.
Are human beings machines? Neuroscience, biology and experimental psychology are coming up with findings suited to answering that question in the affermative. Can the soul be relegated once and for all to the realm of fiction? Does the application of biological systems to computer architectures which imitate the function of the human brain necessitate a reformulation of previously valid dichotomies such as Nature/Technology and Mind/Machine? What position does the individual assume - one like that of art - in a totally networked world? At this very moment, the adventures of freely selectable identities and constructed personalities of the Internet communities are being overshadowed by a biological quantum leap: as the first cloned mammal, Dolly the Sheep, marks the beginning of a developmental process that places body sampling and biogenetic avatars into our foreseeable future. The closer the future edges toward our very person, and the more directy it confronts us with the reality of what were previously only futuristic conceptions, the more pressing become questions concerning our own conception of self. During the Festival Ars Electronica 97 artists, theoreticians and scientists dedicate themselves to the task of focusing the global cultural perspective from the collective down to the individual level. "FleshFactor" thus stands for an investigation of what may well be a new human factor - the information machine which, in light of recent events and scientific findings, we are.
TITLE | AUTHOR | ||
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Impressum and Sponsors | |||
Content | |||
Preface | Gerfried Stocker / Christine Schöpf | ||
Vorwort | Gerfried Stocker / Christine Schöpf | ||
Ars Electronica Research and Residence | Wolfgang Modera / Gerfried Stocker | ||
Ars Electronica Research and Residence | Wolfgang Modera / Gerfried Stocker | ||
FleshFactor | Gerfried Stocker | ||
FleshFactor | Gerfried Stocker | ||
Net symposium: Human Information Machines Express Their Concernes and Desires | Tom Sherman | ||
Netsymposium: Menschliche Informationsmaschinen formulieren ihre Anliegen und Wünsche | Tom Sherman | ||
How Like A Leaf | Thyrza Nichols Goodeve | ||
Wie gleich einem Blatt | Thyrza Nichols Goodeve | ||
The Brain-Built Self | Patricia Smith Churchland | ||
Das vom Hirn konstruierte Selbst | Patricia Smith Churchland | ||
Bioelectronics and Protein-based Devices | Robert R. Birge | ||
Bioelektronik und Computerbausteine auf Proteinbasis | Robert R. Birge | ||
New World Order, Same Old Shit | Paul Garrin | ||
Eine neue Weltordnung, aber dieselbe alte Scheisse | Paul Garrin | ||
Bad Girl Versus the Astronaut Christ: | Hari Kunzru | ||
Ungezogenes Mädchen versus Astronautenchristus: | Hari Kunzru | ||
On the Mechanism of Human Facial Expression as a Medium for Interactive Art | Huge Harry | ||
Über den Mechanismus des menschlichen Gesichtsausdrucks als Medium für Interaktive Kunst | Huge Harry | ||
Beyond the Machine | Max More | ||
Jenseits der Maschine | Max More | ||
Boneware and Body Culture | Agentur BILWET / ADILKNO | ||
Boneware and Body Culture | Agentur BILWET / ADILKNO | ||
Periphery and the FleshFactor | Mark Weiser | ||
Peripherie und FleshFactor | Mark Weiser | ||
Parasite Visions | Stelarc | ||
Parasitische Visionen | Stelarc | ||
Neuron-Silicon Junction or Brain-Computer Junction? | Peter Fromherz | ||
Neuron-Silizium-Kopplung oder Hirn-Computer-Kopplung? | Peter Fromherz | ||
Fragments from "Borderscape 2000" | Guillermo Gòmez-Peña / Roberto Sifuentes | ||
Fragmente aus "Borderscape 2000" | Guillermo Gòmez-Peña / Roberto Sifuentes | ||
Avatars on the World Wide Web: Marketing the "Descent" | Victoria Vesna | ||
Avatare im World Wide Web: Die Vermarktung der "Herabkunft" | Victoria Vesna | ||
Daniel Dennett says: We are Machines (including our minds) | Daniel Dennett / Tom Sherman | ||
Daniel Dennett sagt: Wir sind Maschinen (auch unsere Gehirne) | Daniel Dennett / Tom Sherman | ||
MACHINES R US | Tom Sherman | ||
MACHINES R US | Tom Sherman | ||
Blurring the Boundaries between Bodies, Bits and Atoms: From ClearBoard to Tangible Bits | Hiroshi Ishii | ||
Verschwimmende Grenzen zwischen Körpern, Bits und Atomen: von ClearBoard zu Tangible Bits | Hiroshi Ishii | ||
And the Word Was Made Flesh ... | Peter Fleissner | ||
Und das Wort ist Fleisch geworden ... | Peter Fleissner | ||
Humanistic Intelligence | Steve Mann | ||
Humanistic Intelligence | Steve Mann | ||
FLORA and FAUNA: Japanese Games and Traditional Culture | Machiko Kusahara | ||
FLORA und FAUNA: Spiele und traditionelle Kultur in Japan | Machiko Kusahara | ||
Sorry, but Your Soul just Died | Tom Wolfe | ||
Sorry, aber Ihre Seele ist gerade gestorben | Tom Wolfe | ||
Border Patrol | Paul Garrin / David Rokeby | ||
Border Patrol | Paul Garrin / David Rokeby | ||
The Invisible Shape of Things Past | Dirk Lüsebrink / Joachim Sauter | ||
The Invisible Shape of Things Past | Dirk Lüsebrink / Joachim Sauter | ||
Moppet | Toshihiro Anzai / Tamio Kihara | ||
Moppet | Toshihiro Anzai / Tamio Kihara | ||
Timesharing | Mark Madel | ||
Timesharing | Mark Madel | ||
Seeing is Believing | Kazuhiko Hachiya | ||
Seeing is Believing | Kazuhiko Hachiya | ||
solve et coagula | Stahl Stenslie / Karl Anders Oygard / Knut Mork | ||
solve et coagula | Karl Anders Oygard / Knut Mork / Stahl Stenslie | ||
Garnet Vision | Hiroo Iwata | ||
Garnet Vision | Hiroo Iwata | ||
IPzentrum | TXTD.sign | ||
IPzentrum | TXTD.sign | ||
What Will Remain of These | Chris Dodge | ||
What Will Remain of These | Chris Dodge | ||
MiLOs | Andrew Dahley / Scott Brave | ||
MiLOs | Andrew Dahley / Scott Brave | ||
Triangles and the Digital Veil | Matt Gorbet / Maggie Orth | ||
Triangles. Dreiecke und der Digitalschleier | Matt Gorbet / Maggie Orth | ||
AUTODROM ** CRASHCOURSE Real World/Virtual World | STWST | ||
AUTODROM ** CRASHCOURSE Real World/Virtual World | STWST | ||
PRoPs:The Avatars Are Loose in the Hauptplatz | John Canny / Eric Paulos | ||
PRoPs: Am Hauptplatz sind die Avatare los! | John Canny / Eric Paulos | ||
Cyborg Detector | Sandy Stone / Erich Berger / Patricia Futterer | ||
Cyborg Detector | Sandy Stone / Erich Berger / Patricia Futterer | ||
Bodyscan | Eva Wohlgemuth | ||
Bodyscan | Eva Wohlgemuth | ||
Las transpiraciones del desgaste o la devaluacion aspirada | César Martínez Silva | ||
Las transpiraciones del desgaste o la devaluacion aspirada | César Martínez Silva | ||
Kage | Motoshi Chikamori | ||
Kage | Motoshi Chikamori | ||
Pinocchio - Die virtuelle Marionette | Wolfgang Hilbert | ||
Pinocchio - Die virtuelle Marionette | Wolfgang Hilbert | ||
Corps et Graphie | Marie-Hélène Tramus | ||
Corps et Graphie | Marie-Hélène Tramus | ||
Der Teddyautomat | Christoph Ebener / Uli Winters | ||
Der Teddyautomat | Christoph Ebener / Uli Winters | ||
Kybermax und Moritz | Markus Brandt | ||
Kybermax und Moritz | Markus Brandt | ||
Laterna Magica - Electronic Street Art | Leonid Filatov / Joachim Eckl | ||
Laterna Magica - Electronic Street Art | Leonid Filatov / Joachim Eckl | ||
The Levi-Montalcini Varations | Maryanne Amacher | ||
The Levi-Montalcini Varations | Maryanne Amacher | ||
Unsound Objects | Jonty Harrison | ||
Unsound Objects | Jonty Harrison | ||
Munich Samba | Matt Heckert | ||
Munich Samba | Matt Heckert | ||
World Skin | Maurice Benayoun / Jean-Baptiste Barrière | ||
World Skin | Maurice Benayoun / Jean-Baptiste Barrière | ||
Multi Mega Book in the CAVE | Yesenia Maharaj Singh / Franz Fischnaller | ||
Multi Mega Book im CAVE | Yesenia Maharaj Singh / Franz Fischnaller | ||
City of News | Flavia Sparacino / Alex Pentland / Glorianna Davenport / Michal Hlavac / Mary Obelnicki | ||
City of News | Flavia Sparacino / Alex Pentland / Glorianna Davenport / Michal Hlavac / Mary Obelnicki | ||
Liquid Meditation | Margaret H. Watson | ||
Liquid Meditation | Margaret H. Watson | ||
remote sensations | Offenes Kulturhaus | ||
remote sensations | Offenes Kulturhaus | ||
Architettura della Separazione | Giardini Pensili / Roberto Paci Dalò / Isabella Bordoni | ||
Architettura della Separazione | Giardini Pensili / Roberto Paci Dalò / Isabella Bordoni | ||
Relational Architecture #2 Displaced Emperors | Rafael Lozano-Hemmer | ||
Relationale Architektur #2 Displaced Emperors | Rafael Lozano-Hemmer | ||
Polyphemus´ Eye | Concha Jerez / José Iges | ||
Das Auge des Polyphem | Concha Jerez / José Iges | ||
Le triangle d´incertitude - The Triangle of Uncertainty | Cécile Le Prado | ||
Le triangle d`incertitude - Das Dreieck der Ungewißheit | Cécile Le Prado | ||
Globe Theatre. A Robotic Pageant | Adrianne Wortzel | ||
Globe Theater. Ein Historienspiel für Roboter | Adrianne Wortzel | ||
3D-Audio-Düker | Horst Zachmann | ||
3D-Audio-Düker | Horst Zachmann | ||
Music Plays Images x Images Play Music | Toshio Iwai / Ryuichi Sakamoto | ||
Music Plays Images x Images Play Music | Toshio Iwai / Ryuichi Sakamoto | ||
*OR* | Dumb Type | ||
*OR* | Dumb Type | ||
An Evening Spent in a Hypercompetitive State of Mind | Time's Up | ||
An Evening Spent in a Hypercompetitive State of Mind | Time's Up | ||
So we do move, after all | Time's Up / Johannes Domsich | ||
Und wir bewegen uns doch | Time's Up / Johannes Domsich | ||
Sub´tronic | Didi Neidhart / Wolfgang Fadi Dorninger | ||
Sub`tronic | Didi Neidhart / Wolfgang Fadi Dorninger | ||
openX - Networking | Heimo Ranzenbacher | ||
openX - Networking | Heimo Ranzenbacher | ||
openX-projects | |||
openX-projects | |||
Clone The Party! | Heimo Ranzenbacher / Bruno Beusch / Tina Cassani | ||
Clone The Party! | Heimo Ranzenbacher / Bruno Beusch / Tina Cassani | ||
The Family Auer | Heidi Grundmann | ||
Die Familie Auer | Heidi Grundmann | ||
Turbulence | Helen Thorington | ||
Turbulence | Helen Thorington | ||
Station Rose in the Social Web | John Coate / Station Rose | ||
Station Rose in the Social Web | John Coate / Station Rose | ||
oudeis - a world wide odyssey | kis.production | ||
oudeis - a world wide odyssey | kis.production | ||
Biographies |