Ars Electronica Archive
Prix
Prix Map
Pictures
Videos
Publications
Special Projects
Women in Media Art
Publications
The Print Archive of Ars Electronica documents publications from 1979 onwards in the fields of Cyber Arts/Prix, Festival and special publications, including audiovisual supplements, museum brochures, updates, and other special editions. All texts and articles are fully searchable and readable. Festival catalogues are available as PDFs in their original layout from 2000 onwards; for earlier years, only the OCR text is preserved, but these are also readable. CyberArts catalogues are complete PDFs, while catalogues prior to 2005 were physically digitized, as the original print data no longer exists.
Since 2024, the archive also contains the estate of Hannes Leopoldseder, one of the founders of Ars Electronica, which comprises a significant collection of digitized historical documents.
Catalogue: CODE - The Language of Our Time
Is the computer language going to become the lingua franca of the global information society? Under its heading Code - The Language of Our Time, this year's Ars Electronica - the annual festival for art, technology, and society in Linz - will be exploring software and digital codes. Code has become a central notion in our modern, informed society: it stands for the dominant role of information technology, for the transfer of our knowledge and communication to digital databanks and nets, and has become synonymous with control and programmability. The significance of code as a codex and set of rules, as well as a system of signs, also circumscribes the position of software in art and society: code is both the tool for and the expression of artistic work. Code as a set of commands, as a computer program, and as a language of global digital communication systems defines the rules and principles of our time. This book is a documentation of the symposia, exhibitions, performances, and interventions in public space with which artistic, scientific, and sociopolitical contributions explore this topic at the Ars Electronica 2003.
| Complete | ||
|---|---|---|
 |
 |
Ars Electronica 2003: CODE - The Language of our Time |
| TITLE | AUTHOR | ||
|---|---|---|---|
|
|
Impressum | |
|
|
Sponsoring | |
|
|
Contents | |
|
|
CODE—the Language of Our Time | Gerfried Stocker |
|
|
CODE—the Language of Our Time | Gerfried Stocker |
|
|
Code oder wie sich etwas anders schreiben lässt | Friedrich Kittler |
|
|
Seven Ways in Which Code Equals Law (And One in Which It Does Not) | James Grimmelmann / Cindy Cohn |
|
|
Code ist gleich Gesetz – und auch nicht | James Grimmelmann / Cindy Cohn |
|
|
The Meaning of Code | Peter J. Bentley |
|
|
Der Sinn des Code | Peter J. Bentley |
|
|
The Battle over Control of Code is a Battle over Freedom | Howard Rheingold |
|
|
Der Kampf um die Kontrolle von Code ist ein Freiheitskampf | Howard Rheingold |
|
|
Meditations on Trusted Computing | Fred von Lohmann |
|
|
Meditationen über Trusted Computing | Fred von Lohmann |
|
|
Towards a Society of Control? | Otto Leopold Tremetzberger / Radio FRO |
|
|
Towards a Society of Control? | Otto Leopold Tremetzberger / Radio FRO |
|
|
Protocol and Counter-Protocol | Alexander R. Galloway / Eugene Thacker |
|
|
Protokoll und Gegenprotokoll | Alexander R. Galloway / Eugene Thacker |
|
|
The Birth of MacroMind | Marc Canter |
|
|
Die Geburt von MacroMind | Marc Canter |
|
|
Some Code to Die for | Leo Findeisen |
|
|
Towards a Language of Collective Intelligence | Pierre Lévy |
|
|
Eine Sprache der kollektiven Intelligenz | Pierre Lévy |
|
|
Exe.cut[up]able statements: The Insistence of Code | Florian Cramer |
|
|
Exe.cut[up]able statements: Das Drängen des Codes an die Nutzeroberflächen | Florian Cramer |
|
|
WEB STALKER SEEK AARON | Erkki Huhtamo |
|
|
WEB STALKER SEEK AARON | Erkki Huhtamo |
|
|
Public CulturalProduction Art(Software){ | Christiane Paul |
|
|
Kunst als öffentliche kulturelle Produktion (Software){ | Christiane Paul |
|
|
The Universal Datawork | Richard Kriesche |
|
|
das universelle datenwerk | Richard Kriesche |
|
|
datawork: man | Richard Kriesche |
|
|
datenwerk: mensch | Richard Kriesche |
|
|
Epigenetic Art Revisited: Software as Genotype | Roman Verostko |
|
|
Epigenetische Kunst im Rückblick: Software als Genotypus | Roman Verostko |
|
|
The Infinite Loop | John Maeda |
|
|
Die Endlosschleife | John Maeda |
|
|
Programming Media | Casey Reas |
|
|
Medien programmieren | Casey Reas |
|
|
Tissue | Casey Reas |
|
|
Tissue | Casey Reas |
|
|
MicroImage | Casey Reas |
|
|
MicroImage | Casey Reas |
|
|
Visually Deconstructing Code | Benjamin Fry |
|
|
Visually Deconstructing Code | Benjamin Fry |
|
|
electrolobby | Virus in Fur | |
|
|
Processing | Benjamin Fry / Casey Reas |
|
|
Processing | Benjamin Fry / Casey Reas |
|
|
bitforms gallery | Steve Sacks |
|
|
bitforms | Steve Sacks |
|
|
Trash Mirror | daniel rozin |
|
|
Trash Mirror | daniel rozin |
|
|
Runme.org | |
|
|
CODeDOC II | Christiane Paul |
|
|
CODeDOC II | Christiane Paul |
|
|
Prix Ars Electronica 2003 | |
|
|
From the Poesy of Programming to Research as an Art Form | Laurent Mignonneau / Christa Sommerer & Laurent Mignonneau |
|
|
Von der Poesie des Programmierens zur Forschung als Kunstform | Laurent Mignonneau / Christa Sommerer & Laurent Mignonneau |
|
|
Mobile Feelings | Laurent Mignonneau / Christa Sommerer & Laurent Mignonneau |
|
|
Mobile Feelings | Laurent Mignonneau / Christa Sommerer & Laurent Mignonneau |
|
|
A Few Quick Notes on Opportunities and Pitfalls of the Application of Computers in Art and Music | James McCartney |
|
|
Einige Gedanken zu den Möglichkeiten und Gefahren von Computern in der Kunst und der Musik | James McCartney |
|
|
Design Noir | Fiona Raby |
|
|
Design Noir | Fiona Raby |
|
|
Printing Out Buildings | Oliver Fritz |
|
|
Häuser drucken | Oliver Fritz |
|
|
Code and Music: Technology and Creativity in Composing | Jonathan Norton |
|
|
Code und Musik: Technik und Kreativität beim Komponieren | Jonathan Norton |
|
|
Pixelspaces 2003 | Heimo Ranzenbacher / Horst Hörtner |
|
|
Pixelspaces 2003 | Heimo Ranzenbacher / Horst Hörtner |
|
|
DAMPF Lab | Scott de Lahunta |
|
|
DAMPF Lab | Scott de Lahunta |
|
|
Open Source Choreography? | Scott de Lahunta |
|
|
Open-Source-Choreografie? | Scott de Lahunta |
|
|
Messa di Voce | Tmema / Joan La Barbara / Jaap Blonk |
|
|
Messa di Voce | Tmema / Joan La Barbara / Jaap Blonk |
|
|
POL. A Mechatronic Show | Marcel.lí Antúnez Roca |
|
|
POL. Eine mechatronische Show | Marcel.lí Antúnez Roca |
|
|
Gulliver´s Box | Adrian David Cheok / Hirokazu Kato / Ars Electronica Futurelab |
|
|
Gulliver´s Box | Adrian David Cheok / Hirokazu Kato / Ars Electronica Futurelab |
|
|
Key Grip | Justin Manor |
|
|
Key Grip | Justin Manor |
|
|
co.in.cide—The Third Place | Heimo Ranzenbacher / x-space |
|
|
co.in.cide – der dritte Ort | Heimo Ranzenbacher / x-space |
|
|
Colophony Circuit | Mia Zabelka / Electric Indigo |
|
|
386 dx | Alexej Shulgin |
|
|
Principles of Indeterminism | Heimo Ranzenbacher |
|
|
Principles of Indeterminism | Heimo Ranzenbacher |
|
|
Geste Electronique | Gerda Palmetshofer |
|
|
Geste Electronique | Gerda Palmetshofer |
|
|
Fluid Neon Bright Shadows: The Music of Iannis Xenakis | Don P. Miller |
|
|
Fließende neon-grelle Schatten: Die Musik von Iannis Xenakis | Don P. Miller |
|
|
Schedule | |
|
|
REMIX OF THE REMIXES | Naut Humon |
|
|
Floating Points in the OMV Klangpark | |
|
|
Koan: Early History | Tim Cole |
|
|
Koan: Die Entstehung | Tim Cole |
|
|
Floating Points—Dark Symphony | Tim Mark Didymus |
|
|
How Code Made its Way into My Music | Antye Greie |
|
|
Media | Art | Education | Giaco Schiesser |
|
|
Media | Art | Education | Giaco Schiesser |
|
|
Media | Art | Education | Cecilia Hausheer |
|
|
Teleklettergarten | Gruppe F.O.K. |
|
|
»digital sparks«—Crowning Outstanding Student Media Projects | |
|
|
»digital sparks« – Wettbewerb studentischer Medienprojekte | |
|
|
Movieline | |
|
|
Japanese Animation ACA Media Arts Festival | |
|
|
NOT TO SCALE | Daniel Kluge / Herman Chong / Isabelle Cornaro / Kunst Raum Goethestraße |
|
|
24! | Norbert Pfaffenbichler / Lotte Schreiber / Michael Aschauer |
|
|
24! | Norbert Pfaffenbichler / Lotte Schreiber / Michael Aschauer |
|
|
Music Creatures | MARC DOWNIE |
|
|
Music Creatures | MARC DOWNIE |
|
|
Elevated Space | Thomas Lorenz |
|
|
Elevated Space | Thomas Lorenz |
|
|
Networked Portrait | John Gerrard |
|
|
Social Mobiles | Crispin Jones / IDEO |
|
|
Social Mobiles | Crispin Jones / IDEO |
|
|
Audiopad | James Patten / Ben Recht |
|
|
Ars Electronica Center Exhibition | |
|
|
Ars Electronica Center Exhibition | |
|
|
Little Red MR | Tomoki Saso / Kenji Iguchi |
|
|
Little Red MR | Tomoki Saso / Kenji Iguchi |
|
|
Protrude, Flow | Minako Takeno / Sachiko Kodama |
|
|
Protrude, Flow | Minako Takeno / Sachiko Kodama |
|
|
Uzume | Roland Blach / Petra Gemeinböck / Nicolaj Kirisits |
|
|
CITYCLUSTER | Franz Fischnaller |
|
|
CITYCLUSTER | Franz Fischnaller |
|
|
raum.art | A. Benjamin Spaeth |
|
|
raum.art | A. Benjamin Spaeth |
|
|
Humphrey | Heimo Ranzenbacher |
|
|
Interfacelifting | Heimo Ranzenbacher |
|
|
Interfacelifting | Heimo Ranzenbacher |
|
|
Biographies | |