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The Print Archive of Ars Electronica documents publications from 1979 onwards in the fields of Cyber Arts/Prix, Festival and special publications, including audiovisual supplements, museum brochures, updates, and other special editions. All texts and articles are fully searchable and readable. Festival catalogues are available as PDFs in their original layout from 2000 onwards; for earlier years, only the OCR text is preserved, but these are also readable. CyberArts catalogues are complete PDFs, while catalogues prior to 2005 were physically digitized, as the original print data no longer exists.
Since 2024, the archive also contains the estate of Hannes Leopoldseder, one of the founders of Ars Electronica, which comprises a significant collection of digitized historical documents.
Catalogue: Origin - wie alles beginnt
The insatiable hunger for knowledge, the desire to turn old knowledge on its head; the yearning to find out where we come from; the longing to give meaning to our existence and to anchor ourselves within the big picture of the universe: these fundamental, essential qualities of humankind are the common sources of art and knowledge. In cooperation with CERN, the international research institute, where over ten thousand scientists from many different nations are attempting to understand the creation of the universe and the origin of all material, Ars Electronica 2011 is working in the world of top level research. It’s also about gaining a new perspective of institutions such as CERN. After all, they are affording room for thought, which is not only indispensible for science, but also urgently needed for the development of plans for sustainable societies.
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Ars Electronica 2011: Origin |
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Imprint | Ars Electronica |
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Organization + Team | Ars Electronica |
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Organization | Ars Electronica |
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Contents | Ars Electronica |
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ORIGIN - how it all begins | Gerfried Stocker |
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ORIGIN - wie alles beginnt | Gerfried Stocker |
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CERN | |
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The Beauteous Beast. | Franzobel |
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Das schöne Biest. | Franzobel |
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Language in the Quantum Age | Derrick de Kerckhove |
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Sprache im Quantenzeitalter | Derrick de Kerckhove |
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Origin: how it all begins | Humberto Maturana / Escuela Matriztica |
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Origin: Wie alles beginnt | Humberto Maturana / Escuela Matriztica |
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Quantum Money | Anton Zeilinger |
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Quantengeld | Anton Zeilinger |
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Regulated Transgressions | Oron Catts |
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Kontrollierte Transgression | Oron Catts |
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Cosmic Origin | Dietmar Hager |
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Cosmic Origin | Dietmar Hager |
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Photographic ORIGIN | Lois Lammerhuber |
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Pixelspaces | Ars Electronica Futurelab |
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Pixelspaces | Ars Electronica Futurelab |
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DoppelLab and Digital Excavation | MEDIALAB |
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DoppelLab and Digital Excavation | MEDIALAB |
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Public Square Squared | Isaac Mao / David Sasaki |
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Plätze – neue Orte der Vernetzung | Isaac Mao / David Sasaki |
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Citizen Journalism in China | HU Yong |
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Bürgerjournalismus in China | HU Yong |
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Sensing Place / Placing Sense | |
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Media Machine | Radio FRO |
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Media Machine | Radio FRO |
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Das Mobile Ö1 Atelier | |
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Das Mobile Ö1 Atelier | |
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ORIGIN | |
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ORIGIN | |
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Origin | CoQus |
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Origin | CoQus |
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Origins of Life: Experiment #1.6 | Robert Root-Bernstein / Adam Brown |
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Origins of Life: Experiment #1.6 | Robert Root-Bernstein / Adam Brown |
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Astronomical Bodies | Michael Burton |
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Astronomical Bodies | Michael Burton |
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Obviously a Major Malfunction | Ralo Mayer |
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Obviously a Major Malfunction | Ralo Mayer |
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ALLtag | Werner Jauk / Heimo Ranzenbacher / Arnold Hanslmeier |
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The Particle | Alex Posada |
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The Particle | Alex Posada |
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AUN | Edgar Honetschläger |
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AUN | Edgar Honetschläger |
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Oh | Anouk De Clercq |
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Oh | Anouk De Clercq |
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Dear Steve | Herman Asselberghs |
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Dear Steve | Herman Asselberghs |
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Into Eternity | Michael Madsen |
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modell zur visualisierung | Carsten Nicolai |
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Transformation Future | overtures ZeitRäume |
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Transformation Zukunft | overtures ZeitRäume |
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Zukunftsmusik / Future Music | Tamiko Thiel |
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Political Design | Lucia Dellefant |
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I am a wild type | Ursula Damm |
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passage2011—logfiles | Thomas Huber / Wolfgang Aichner |
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passage2011—logfiles | Thomas Huber / Wolfgang Aichner |
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Come with me. Firewalk | Kalle Laar |
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Come with me. Firewalk | Kalle Laar |
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Studio Photography | Norbert Artner |
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Studiofotografie | Norbert Artner |
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Hearing Perspective | Sam Auinger |
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Denken mit den Ohren | Sam Auinger |
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Seriously Playful—Playfully Serious | Hiroo Iwata |
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Ernsthaft verspielt – spielerisch ernsthaft | Hiroo Iwata |
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Seriously Playful—Playfully Serious | Hiroo Iwata |
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Unuselessness—the useful useless | |
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Shanghai Conservatory of Music | |
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Shanghai Conservatory of Music | |
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NEW TERRITORY | Chris Müller / Theater Hausruck |
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NEULAND | Chris Müller / Theater Hausruck |
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Iron Mask—White Torture | Marissa Lôbo |
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Iron Mask—White Torture | Marissa Lôbo |
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Musicians & Machines | |
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Musicians & Machines | Winfried Ritsch |
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Musicians & Machines | peter ablinger |
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Musicians & Machines | Edgar Varése |
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Musicians & Machines | Friedrich Cerha |
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Musicians & Machines | Dante Anzolini |
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Musicians & Machines | Alan Hovhaness |
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Musicians & Machines | Martin Messier / Nicolas Bernier |
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Musicians & Machines | |
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Musicians & Machines | |
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Android-human theater ‘Sayonara’ | Oriza Hirata / Hiroshi Ishiguro |
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Sayonara | Oriza Hirata / Hiroshi Ishiguro |
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What Machines Dream Of | Ars-Electronica-Center |
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Wovon Maschinen träumen | Ars-Electronica-Center |
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What Machines Dream Of | Franz gsellmann |
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What Machines Dream Of | Winfried Ritsch / peter ablinger / Thomas Musil |
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What Machines Dream Of | Ryota Kuwakubo |
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What Machines Dream Of | |
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Robotinity | Ars-Electronica-Center |
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Robotinity | Ars-Electronica-Center |
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Robotinity | Otto Bock |
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Robotinity | Iori Tomita |
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Robotinity | Akito Nakano / Akira Wakita |
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Robotinity | Charlie Bucket |
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Robotinity | Osaka University / ATR / Hiroshi Ishiguro |
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Robotinity | Ryota Kuwakubo |
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Ars Electronica Export External Exhibitions 2011 | Ars Electronica |
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Ars Electronica Animation Festival 2011 | Ars Electronica |
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Remembrance Machine | |
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Erinnerungsmaschine | |
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Zeit-Ton extended live on the ORF | |
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Zeit-Ton extended live on the ORF | |
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Audio Tape Machine | |
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Ton Band Maschine | |
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u19 - create your world | |
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The Cybergeneration Prepares for Takeoff | Sirikit Amann |
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Eine Cybergeneration macht sich auf den Weg | Sirikit Amann |
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OTELO | |
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OTELO | |
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u19 - Exhibition | |
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[the next idea] voestalpine Art and Technology Grant Exhibition | |
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Games | |
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Workshops / Open Labs / Events | |
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Import / Export | |
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im-puls Workshops aus dem Angebot des Ars Electronica Center | |
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Redaktionen Media Outlets | |
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Wissenschafts- und Kunstvermittlung | |
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Nature, Decentralization and Complexity | Theresa Schubert |
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Natur, Dezentralität und Komplexität | Theresa Schubert |
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The Tesla Orchestra | |
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The Tesla Orchestra | |
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Parkbank | |
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Parkbank | |
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Sound Tossing | Reinhard Gupfinger |
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Sound Tossing | Reinhard Gupfinger |
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Interactive Infrasonic Environment | Reinhard Gupfinger |
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Interactive Infrasonic Environment | Reinhard Gupfinger |
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Ether Inductor | Marika Hayashi / Akira Tsukimori / Takashi Mikami / Hironori Mizoguchi / Naohiko Sumimoto / Ryuma Niiyama |
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Ether Inductor | Marika Hayashi / Akira Tsukimori / Takashi Mikami / Hironori Mizoguchi / Naohiko Sumimoto / Ryuma Niiyama |
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mirage00 | Kouji Ohno / Tetsuya Yamamoto / Nobu Miake / Toshikazu Toyama |
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mirage00 | Kouji Ohno / Tetsuya Yamamoto / Nobu Miake / Toshikazu Toyama |
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Symposium | |
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Prix Ars Electronica 2011 | |
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Biographies | |