The Print Archive of Ars Electronica covers publications since 1979 in the fields of Cyber Arts/Prix, Festival and special publications and as well as the audio-visual supplements, museum brochures, updates and special publications. All text and articles are searchable and readable. The festival catalogues are since 2000 in the original layout as PDFs, for the preceding years, only the OCR text information was preserved but they are also readable. CyberArts catalogues are complete PDFs, catalogues before 2005 were physically digitised, as the print data no longer exists.
Gesamtkatalog | |||
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Ars Electronica 2001: TAKEOVER - wer macht die Kunst von morgen |
TITLE | AUTHOR | ||
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Impressum | |||
Contents | |||
Ars Electronica 2001 | Gerfried Stocker / Christine Schöpf | ||
Ars Electronica 2001 | Gerfried Stocker / Christine Schöpf | ||
Takeover | Gerfried Stocker | ||
Takeover | Gerfried Stocker | ||
Takeover Logo | Kaneko Nanpei | ||
Takeover | Dietmar Bruckmayr | ||
Takeover | Dietmar Bruckmayr | ||
Looking for Art in All the Wrong Places | Jon Ippolito / Joline Blais | ||
Wie man Kunst immer am falschen Ort sucht | Jon Ippolito / Joline Blais | ||
Design Creativity in Emerging Technologies | Ahmad Rafi Mohamed Eshaq | ||
Neue Technologien und gestalterische Kreativität | Ahmad Rafi Mohamed Eshaq | ||
Dialtones : A Telesymphony | Golan Levin | ||
Dialtones : A Telesymphony | Golan Levin | ||
If you don´t think this is art, call ... | Uli Winters / Christoph Ebener | ||
Neverwake | Andreas Puff-Trojan | ||
Neverwake | Andreas Puff-Trojan | ||
Perceptual Phenomena and Computer Games | Tobias O. Meissner | ||
Wahrnehmungsphänomene bei Computerspielen | Tobias O. Meissner | ||
Field Work | Masaki Fujihata | ||
Field Work | Masaki Fujihata | ||
Tgarden | Sponge / FoAM | ||
Tgarden | Sponge / FoAM | ||
Mediadrive | Tomohiro Okada | ||
Mediadrive | Tomohiro Okada | ||
OMV Klangpark | Heimo Ranzenbacher | ||
Big City Dub, Microscopically Tiny | Heinrich Deisl | ||
Großstadt-Dub, mikroskopisch klein | Heinrich Deisl | ||
mirroring ourselves (over)takeover | Vladislav Delay | ||
Container Park | Wolfgang Fadi Dorninger | ||
Container Park | Wolfgang Fadi Dorninger | ||
Digital Shanachies | Nora Barry | ||
Digital Shanachies | Nora Barry | ||
ff-female takeover | Kunst Raum Goethestraße | ||
Superstrings | Marina Koraiman | ||
Superstrings | Marina Koraiman | ||
Bio Art: Proteins, Transgenic, and Biobots | Eduardo Kac | ||
Biokunst: Proteine, Transgenik und Bioboter | Eduardo Kac | ||
SymbioticA, The Art and Science Collaborative Research Laboratory | Stuart Bunt / Oron Catts | ||
SymbioticA, das kollaborative Forschungslabor für Kunst und Wissenschaft | Stuart Bunt / Oron Catts | ||
Fish & Chips | SymbioticA Research Group | ||
Fish & Chips | SymbioticA Research Group | ||
wetware | Wolfgang Maass | ||
wetware | Wolfgang Maass | ||
Chromosome Studies | Benjamin Fry | ||
Green or How a Light Turns the World Upside Down | Reinhard Nestelbacher | ||
Green oder wie ein Licht die Welt verdreht | Reinhard Nestelbacher | ||
electrolobby (next-level attitude) | Bruno Beusch / Tina Cassani | ||
electrolobby (next-level attitude) | Bruno Beusch / Tina Cassani | ||
Prix Ars Electronica 2001 | |||
Look Mickey, "just do it" in the Museum Mall | Peter Higgins | ||
Hey Mickey, "just do it" in the Museum Mall | Peter Higgins | ||
The Third Place | Andreas Hirsch / Christian Mikunda | ||
Dritte Orte | Andreas Hirsch / Christian Mikunda | ||
Metaphors of Participation | Heimo Ranzenbacher / Rafael Lozano-Hemmer | ||
Metaphern der Partizipation | Heimo Ranzenbacher / Rafael Lozano-Hemmer | ||
Get in Touch | Hiroshi Ishii | ||
Get in Touch | Hiroshi Ishii | ||
Interactive Window | Joseph Paradiso | ||
Interactive Window | Joseph Paradiso | ||
Strategies of Intertaintment | Heimo Ranzenbacher | ||
Pixel + Space Management | Michael Shamiyeh | ||
Pixel + Space Management | Michael Shamiyeh | ||
Apartment | Martin Wattenberg / Jonathan Feinberg / Marek Walczak | ||
Tendril + Valence | Benjamin Fry | ||
Pixelspaces | Horst Hörtner | ||
Pixelspaces | Horst Hörtner | ||
EVL: Alive on the Grid | Dan Sandin | ||
Rückprojektion | ESCAPE*spHERE | ||
Rückprojektion | ESCAPE*spHERE | ||
launching xxero | xxero | ||
launching xxero | xxero | ||
On Interactivity | Masaki Fujihata | ||
Interaktivität | Masaki Fujihata | ||
UnitM - User Sensitive Information Architecture | Ars Electronica Futurelab | ||
Digital Preservation: Recording the Recording | Alain Dépocas | ||
Digitale Konservierung: Die Aufzeichnung der Neukodierung | Alain Dépocas | ||
Digital Images Between Half-life and Timelessness | Johannes Deutsch | ||
Digitale Bilder zwischen Halbwertszeit und Zeitlosigkeit | Johannes Deutsch | ||
A sophisticated soirée | 91v2.0 | ||
The Finalists | Anette Schäfer / Miles Chalcraft / Gob Squad | ||
onScreen (digital:video:art&design) | Joachim Smetschka | ||
onScreen (digital:video:art&design) | Joachim Smetschka | ||
What´s the matter with the Institutions of Art? | Andreas Hirsch | ||
Was ist mit den Institutionen der Kunst los? | Andreas Hirsch | ||
Now ! Everything! And then what? | Rüdiger Wischenbart | ||
Jetzt! Alles! Und dann? | Rüdiger Wischenbart | ||
Beta Lounge | Ole Lütjens | ||
Singlecell | Golan Levin | ||
Media Spasm, Meaningless Divertissement and Crash. Future States of Media Education | Birgit Richard | ||
Media-Spasm, sinnlose Zerstreuung und Absturz. Zukünftige Zustände der Medienausbildung | Birgit Richard | ||
lab-ac.at/ars | Rosa von Suess / Bernhard Loibner | ||
lab-ac.at/ars | Rosa von Suess / Bernhard Loibner | ||
take over systems, connect systems | Radio FRO | ||
s.EXE interactives | Christina Goestl | ||
meatspace | Stadtwerkstatt | ||
meatspace | Stadtwerkstatt | ||
Biographies |