The Print Archive of Ars Electronica covers publications since 1979 in the fields of Cyber Arts/Prix, Festival and special publications and as well as the audio-visual supplements, museum brochures, updates and special publications. All text and articles are searchable and readable. The festival catalogues are since 2000 in the original layout as PDFs, for the preceding years, only the OCR text information was preserved but they are also readable. CyberArts catalogues are complete PDFs, catalogues before 2005 were physically digitised, as the print data no longer exists.
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Ars Electronica 2006: SIMPLICITY - the art of complexity |
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SIMPLICITY—the art of complexity | John Maeda / |
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1. Gesetz: Reduzieren | John Maeda |
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Sicherheit als oberstes Ziel - Das Nonplusultra der Einfachheit | Paola Antonelli / John Maeda |
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Weniger ist zunehmend mehr | Sam Hecht |
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Ein Laptop pro Kind | Walter Bender |
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Wenn die Neuen Medien nicht mehr neu sind und jeder etwas im Internet macht | Olga Goriunova |
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Meine Wunderkammer | Jason Kottke |
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Simplexity - Die neue effiziente Klugheit | Peter Wippermann |
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Einfachheit des Raums im Zeitalter der Komplexität | Gary Chang |
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Sehnsucht nach Einfachheit | Wolfgang Blau |
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Re-Defining Public Service | Alexander Baratsits / Veronika Leiner / Radio FRO |
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Vegetable Weapons | Tsuyoshi Ozawa |
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Going to the Country | |
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Einige Gedanken zu John Maeda | Golan Levin |
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Nature | John Maeda |
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Alle Sinne stimulieren | Toshio Iwai |
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Morphovision – Verzerrtes Haus | NHK Science & Technical Research Laboratories / Toshio Iwai |
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Kunst wird Technologie | Gerhard Blechinger |
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Innovation ist kein Zufall | Bernd Wiemann |
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Song fuer C | M+M |
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As if we were alone! | empfangshalle |
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Mobile Assassins | Ran Tao / Jenny Chowdhury |
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The Cell Atlantic CellBooth | Jenny Chowdhury |
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Silver Cell | Aram Bartholl |
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REGRETS Linz | Jane Mulfinger / Graham Budgett |
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Sledgehammer Keyboard | Taylor Hokanson |
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maschine – mensch | Tobias Zucali / Christopher Rhomberg |
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Wish Visuals - You Pick It, We Play It | Sonja Meller |
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Moon Ride | Assocreation |
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nomadix – interaction on the move! | Hyperwerk |
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Random Screen | Aram Bartholl |
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Papierpixel | Aram Bartholl |
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The PingPongPixel | Marenka Deenstra / Jonathan den Breejen |
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CabBoots | Martin Frey |
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SemaSpace | Gerhard Dirmoser / Dietmar Offenhuber |
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from dust till dawn | Markus Decker / Dietmar Offenhuber |
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curious implantation | Nicole Knauer |
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Make It Simple | David Cuartielles |
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electrolobby – Make It Simple | David Cuartielles |
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Produktive Interferenzen aus den Grenzbereichen der Medienkunst | Karin Ohlenschläger / Luis Rico |
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The Beta Lounge | Philip Dean |
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Tangible, Audible, Playable, Wearable | Christa Sommerer / Laurent Mignonneau |
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When Cybernetics meets Aesthetics | Claus Pias / Dieter Daniels |
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The Upgrade! International | |
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Music for the Eyes | Dennis Russell Davies |
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When Music and Computer Programs Grow Together | Maki Namekawa |
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Some Sounds and Some Fury | |
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Klangpark 2006 - Musik für eine Landschaft | |
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Musikvisualisierung – das Zusammenspiel von Farbe und Ton | Susanne Scheel |
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Vom Treiben der Flächen, Töne, Pixel und Farben | Ars Electronica Futurelab |
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Vision Mahler | Johannes Deutsch |
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Die Visualisierung von Musik | Wolfgang Winkler |
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Die Visualisierung von Le Sacre du Printemps | Ars Electronica Futurelab |
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Musik – Tanz – Raum | Klaus Obermaier / Dieter Daniels / Andreas Broeckmann |
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Pixelspaces 2006: Goblin City | Ars Electronica Futurelab |
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WikiMap | Ars Electronica Futurelab |
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Theater und Neue Technologien | Ars Electronica Futurelab |
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Ars Electronica Animation Festival | Christine Schöpf / Dietmar Offenhuber |
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Raumeroberungen: Do It Yourself! | Nicoletta Blacher |
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MOVE | Andrew Hieronymi |
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Digital Marionette | Corebounce Art Collective |
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The Sancho Plan | The Sancho Plan |
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Kobito – Virtual Brownies | Takafumi Aoki |
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Thermoesthesia | Kumiko Kushiyama / PRESTO / JST |
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The Scalable City | Sheldon Brown |
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The Manual Input Station | Tmema / Golan Levin / Zachary Lieberman |
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Smoke Tree | John Gerrard |
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Airacuda | Festo AG & Co. KG |