ARS ELECTRONICA ARCHIVE - PRINT
The Print Archive of Ars Electronica covers publications since 1979 in the fields of Cyber Arts/Prix, Festival and special publications and as well as the audio-visual supplements, museum brochures, updates and special publications. All text and articles are searchable and readable. The festival catalogues are since 2000 in the original layout as PDFs, for the preceding years, only the OCR text information was preserved but they are also readable. CyberArts catalogues are complete PDFs, catalogues before 2005 were physically digitised, as the print data no longer exists.
Catalogue: LifeScience
Although some highly problematic issues raised by the Digital Revolution have not even been formulated yet, inquiry into progress and the future is already being dominated by a new development. Modern genetic engineering and biotechnology - subsumed by the term life science - have taken center stage. Molecular biologists and genetic engineers equipped with the tools of information technology made available by the Computer Age have opened up doors whose thresholds have, in many instances, marked the limits and taboos of our culture. The possibility of forming human life beyond the morphological level of the body and designing an individual's predispositions and talents makes it incumbent upon us to assume new perspectives on mankind's social and metaphysical constitution.
Edited by
Gerfried Stocker;Christine Schöpf
Publisher
Springer
Language of the document
Deutsch,English
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LifeScience | |
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LifeScience | |
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Impressum and Sponsors | |
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Impressum und Sponsoren | |
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Contents | |
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Inhalt | |
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Preface: Ars Electronica 99 • LifeScience | Gerfried Stocker / Christine Schöpf |
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Vorwort: Ars Electronica 99 • LifeScience | Gerfried Stocker / Christine Schöpf |
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Novartis—new skills in the science of life | Christian Seiwald |
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Novartis—new skills in the science of life | Christian Seiwald |
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New Images of Mankind | Gerfried Stocker |
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Neue Bilder vom Menschen | Gerfried Stocker |
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I-Biology and Fake Life Construction | Birgit Richard |
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I-Biologie und Fake Life Construction | Birgit Richard |
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The Biotech Century | Jeremy Rifkin |
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Das Biotechnische Zeitalter | Jeremy Rifkin |
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Advanced Cell Technology | Robert Lanza |
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Advanced Cell Technology | Robert Lanza |
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Decoding Iceland* | Michael Specter |
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Die Dekodierung Islands* | Michael Specter |
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Genetic Predictions and Social Responses* | Lori B. Andrews |
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Genetische Vorhersagen und gesellschaftliche Reaktionen* | Lori B. Andrews |
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Genes and Justice, Past and Present | Daniel J. Kevles |
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Gene und Gerechtigkeit in Vergangenheit und Gegenwart | Daniel J. Kevles |
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Man is the End of the World* | Paul Virilio / Derrick de Kerckhove |
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Der Mensch ist das Ende der Welt | Paul Virilio / Derrick de Kerckhove |
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Genetic Engineering, Scientific-Industrial Revolution and Democratic Imagination | Herbert Gottweis |
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Gentechnik, wissenschaftlich-industrielle Revolution und demokratische Fantasie | Herbert Gottweis |
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Ecological and Sanitary Crisis or Objectivity Crisis? | Bruno Latour |
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Biotechnologie & Gentechnik: Juridische und politische Fragen* | Bruno Latour |
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Biotechnology & Genetic Engineering: Certain Issues For Law And Policy | R. V. Anuradha |
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Biotechnologie & Gentechnik: Juridische und politische Fragen | R. V. Anuradha |
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The Thickness of Tissue Engineering: Biopolitics, Biotech, and the Regenerative Body | Eugene Thacker |
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Die Komplexität des Tissue Engineering: Biopolitik, Biotechnologie und der regenerierbare Körper | Eugene Thacker |
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Markets, Antimarkets and the Fate of the Nutrient Cycles | Manuel DeLanda |
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Märkte, Antimärkte und das Schicksal der Nahrungskreisläufe | Manuel DeLanda |
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Remarks on the Theory of Biological and Asymmetrical Warfare from the Perspective of the US | Georg Schöfbänker |
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Bemerkungen zur Theorie der biologischen und asymmetrischen Kriegsführung aus Sicht der USA | Georg Schöfbänker |
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Curie’s Children* | Vilém Flusser |
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Blaue Hunde* | Vilém Flusser |
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A History of Art Involving DNA | George Gessert |
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Eine Geschichte der DNA-involvierenden Kunst | George Gessert |
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The Gene as a Cultural Icon | Dorothy Nelkin |
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Das Gen als kulturelles Ikon | Dorothy Nelkin |
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Gene_Mixing and Loops of the Self | Birgit Richard |
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Gene_Mixing und Loops des Selbst | Birgit Richard |
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Space, Cyberspace, and Species | Charles Tonderai Mudede |
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Raum, Cyberspace und Spezies | Charles Tonderai Mudede |
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Transgenic Art | Eduardo Kac |
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Transgene Kunst | Eduardo Kac |
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The Designed Body | Gunther von Hagens |
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Der Gestaltete Körper | Gunther von Hagens |
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Genesis | Eduardo Kac |
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Genesis | Eduardo Kac |
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Spike | Gail Wight |
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Spike | Gail Wight |
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Hamster | Uli Winters / Christoph Ebener / Frank Fietzek |
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Hamster | Uli Winters / Christoph Ebener / Frank Fietzek |
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[Multiple_Dwelling] | Fakeshop |
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[Multiple_Dwelling] | Fakeshop |
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Timeless | Anita Gratzer |
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Zeitlose | Anita Gratzer |
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Ethnic Bleaching | Mongrel / Graham Harwood |
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Ethnische Bleichung | Mongrel / Graham Harwood |
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Stages Elements Humans | Gina Czarnecki |
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Stages Elements Humans | Gina Czarnecki |
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The Long Road to Comprehensible Science | Science Education Team |
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Der weite Weg zur verständlichen Wissenschaft | Science Education Team |
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The Creative Gene Harvest Archive | Gene Genies Worldwide |
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The Creative Gene Harvest Archive | Gene Genies Worldwide |
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[PRINTS] Vier aminosäuren in folge | Robert Spour / Mario Veitl |
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[PRINTS] Vier aminosäuren in folge | Robert Spour / Mario Veitl |
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Micro Friendship | Hiroshi Matoba / Yasushi Matoba |
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Micro Friendship | Hiroshi Matoba / Yasushi Matoba |
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Bugrace99 - Insect Cash | Stadtwerkstatt |
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Bugrace99 - Insect Cash | Stadtwerkstatt |
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Why sync? | Rupert Huber |
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Why sync? | Rupert Huber |
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Small Fish | Kiyoshi Furukawa / Wolfgang Muench / Masaki Fujihata |
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Small Fish | Kiyoshi Furukawa / Wolfgang Muench / Masaki Fujihata |
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Tracking the Net | Franz Fischnaller / Marco Monzani |
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Tracking the Net | Franz Fischnaller / Marco Monzani |
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Anomalocaris | Hiroo Iwata |
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Anomalocaris | Hiroo Iwata |
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Touchscreen | Anna Anders / Klaus Gasteier |
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Touchscreen | Anna Anders / Klaus Gasteier |
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Motion Picture | Emily Weil |
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Motion Picture | Emily Weil |
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The Bush Soul | Rebecca Allen |
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The Bush Soul | Rebecca Allen |
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in/outSite | Ursula Damm / Michael Hoch |
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in/outSite | Ursula Damm / Michael Hoch |
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Telezone - An architecture for net architecture | Ars Electronica Futurelab |
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Telezone - An architecture for net architecture | Ars Electronica Futurelab |
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CAVE | Franz Pomassl / Pascal Maresch / Peter Kogler |
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CAVE | Franz Pomassl / Pascal Maresch / Peter Kogler |
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Prix Ars Electronica - Cyberarts 99 | Christine Schöpf |
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Prix Ars Electronica - Cyberarts 99 | Christine Schöpf |
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Recombinant 9.9.99 | Naut Humon |
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Recombinant 9.9.99 | Naut Humon |
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The Michael Nyman Band Concert | The Michael Nyman Band |
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The Michael Nyman Band Concert | The Michael Nyman Band |
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Ridin´ A Train | Wolfgang Fadi Dorninger |
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Ridin` A Train | Wolfgang Fadi Dorninger |
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Jomasounds | Jomasounds |
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Jomasounds | Jomasounds |
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openX | August Black |
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openX | August Black |
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Sound Drifting: I Silenzi Parlano Tra Loro | Collin Fallows / Heidi Grundmann |
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Sound Drifting: I Silenzi Parlano Tra Loro | Collin Fallows / Heidi Grundmann |
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Quote: Pierre Lévy | Pierre Lévy |
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Zitat: Pierre Lévy | Pierre Lévy |
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20 of the 20th | Gerfried Stocker |
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20 of the 20th | Gerfried Stocker |
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And what is it that makes it Art? | Tina Cassani / Bruno Beusch |
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Und was ist daran Kunst? | Tina Cassani / Bruno Beusch |
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Bump | association.creation |
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Bump | association.creation |
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Videoplace | Katrin Hinrichsen / Myron W. Krueger |
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Videoplace | Katrin Hinrichsen / Myron W. Krueger |
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OMV Klangpark | Sam Auinger / Robin Rimbaud / Gordon Paunovic / Rupert Huber / Markus Decker / Joachim Schnaitter / Robert Worby / Wolfgang Fadi Dorninger / Michael Nyman |
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OMV Klangpark | Sam Auinger / Robin Rimbaud / Gordon Paunovic / Rupert Huber / Markus Decker / Joachim Schnaitter / Robert Worby / Wolfgang Fadi Dorninger / Michael Nyman |
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Liquid Space | Heimo Ranzenbacher / Werner Jauk |
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Liquid Space | Heimo Ranzenbacher / Werner Jauk |
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Biographies | |
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Biographies | |