Prix

The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica. 

Computer Animation / Visual Effects Anerkennung - Honorary Mention 2004

Finding Nemo

Pixar Animation Studio, Andrew Stanton
Life along the Great Barrier Reef is full of dangers when you’re a tiny clown fish. And for Marlin, a single parent determined to protect his only son, Nemo, there are constant fears and anxieties. When it becomes time for Nemo to leave the protective shelter of his sea anemone home for the first day of school, Marlin nervously accompanies him and agonizes over his every move.

When Nemo defies his father and swims beyond the reef’s awesome “drop off” to investigate a boat, he is suddenly scooped up by a diver as Marlin helplessly watches.

Marlin’s sinking feeling turns to desperate action as he frantically swims off in search of his son. As he passes a school of fish, he literally bumps into Dory, an agreeable blue tang who offers to help.

Word of this heroic clown fish traveling the ocean in search of his son even reaches Nemo back in his tank in a dentist’s office overlooking Sydney Harbor. Nemo is surprised and thrilled when he learns of his father’s search for him. With fellowprisoner Gill’s encouragement and motivated by a strong desire to return to his father, Nemo moves forward with a daring escape plan. But time is running out; the dentist’s rambunctious niece Darla is set to pick up Nemo the next day.

Arriving at Sydney Harbor, Marlin and Dory get a major helping hand from Nigel, a friendly pelican who has also heard the amazing stories of this brave clown fish searching for his son. With the clock furiously ticking and numerous forces at play, the father and son remain oceans apart in their efforts to reunite.
Andrew Stanton (USA) made his debut in the top directing spot on Finding Nemo after serving as co-writer, co-director, executive producer, and story artist on all four previous acclaimed Pixar films, A Bug’s Life, Toy Story 2, Monsters, Inc. and Finding Nemo. A native of Rockport, Massachusetts, Andrew earned a BFA in character animation from California Institute of the Arts.