“In the Line of Sight” uses 100 computer-controlled tactical flashlights to project low-resolution video footage of suspicious human motion. Each flashlight shines a light spot on the wall. All the flashlights combined create a ten-by-ten matrix representation of the source footage, featured on a video monitor in an adjacent part of the gallery. The flashlight matrix projects images that are difficult to decipher, deliberately vague, making the audience wonder what exactly the person is doing. The projections reference the elusiveness of visual representation in the context of tactical images, surveillance images and viral media. The work is strongly influenced by a technologically determined discourse on a range of security issues, including deciphering human motion at virtual border fences or determining suspicious behavior based on helical motion signatures in human gait.
Connected through a strand of 100 BNC cables, a heavy-duty control box serves as the pedestal for a video monitor featuring a professional dancer in an ongoing sequence of human motion studies culled from a movie database. The performer deliberately interrogates the relationship between suspicious and asymmetrical movement patterns analyzed in real-time by computervision software. Significant features and body movements are visually highlighted with markers.
Smith & Wesson, the brand of the flashlights chosen for this installation, is best known for its firearms. Conceptually, this fact references the violent dimension of light, from searchlights in WW2 to tracer ammunition and propaganda architectures made of light. By walking between the light source and the projected images, the role of the visitors changes from observer to subject— with 100 flashlights pointed at them. Looking at the flashlights directly, the visitors perceive the inherent power and dynamics of the exploded images, continuously moving in wavelike patterns across the five-meter-wide flashlight sculpture.

Links: http://inTheLineOfSight.org/

"In the Line of Sight" is a collaborative work of Daniel Sauter and Fabian Winkler with the help of: Rebecca Bryant, Assist¬ant Professor of Visual and Performing Arts, Dance Division, Purdue University: Dance performances for video database. Patrick Kalita, Application Support Engineer, MathWorks, Boston: Hardware design and communication protocol for flashlight controller. Patrick Kalita, Application Support Engineer, MathWorks, Boston: Hardware design and communication protocol for flashlight controller.

Daniel Sauter (DE/US), born 1976, is an artist who creates interactive installations and site- specific interventions dealing with the cultural and social implications of emergent technologies. He received a diploma in communication design from HfG/ZKM Karlsruhe in 2002 and an MFA from the Design | Media Arts Department at UCLA in 2004. Sauter is currently an assistant Professor at the University of Illinois at Chicago, School of Art and Design.

Fabian Winkler (DE/US) born 1975, is an artist working at the intersections ofthe moving image, sound, spatial structures and robotics. He holds degrees from the State College of Design (HfG)/ZKM Karlsruhe and the UCLA Department of Design l Media Arts, Los Angeles. Winkler is currently an assistant professor of visual and performing arts at Purdue University.