"Diadèmes" is a commissioned work for the Ensemble Itinéraire and was composed in 1984. Its aim is to point out the possible relations between the electronic (numerical) world and the traditional world of instrumental music.
As such it follows the track laid by "Les Miriors Transparents" for orchestra (1983 / 85) written for the festival of Metz, where the harmonic material is strongly influenced by the possibilities offered by computer controlled sound processing. The tonal colours of the traditional instruments were defined as well as the timbre of the synthesizers. Thus the instrumental sound and the synthesis blend into each other in the course of performance, which makes it rather difficult to find out which part of the sound material is "real" and which is synthetic.
Three different kinds of numeric material were used for "Diadèmes". The composition supporting software was processed on an Apple Macintosh computer, the programmes used were Le lisp (Chailloux) and sound extension FORMES (IRCAM; Lee Boynton) allowing for a "filtration" of the generation processes through harmonic rules.
The synthesis part was crated on two Yamaha TX 816 controlled by two Yamaha KX 88. The frequency modulations applied were controlled by the Macintosh through programmes by IRCAM.
The transformation part was controlled over a couple of harmonizers that calculated the sound and transposed it in real time, furthermore an echo and digital reverb unit was used.


Technical Background

The score includes three instrumental groups:
- an electronic ensemble
- a traditional instrumental group with woods (two flutes, one oboe, two clarinets, one bassoon) brass (French horn, trumpet, bass trombone), percussion and strings (three violas and double bass)
- an alto solo controlled via harmonizer and digital reverb to represent the connection of the two instrumental groups.
The piece is formed by three movement interrelated to each other and is approximately 27 minutes in duration.

Marc André Dalbavie (F); born in 1961 in Neuilly-sur-Seine. First piano lessons at the age of six and first national prize at the age of eight. As early as 1971-72 one of his interpretations had been recorded for TV. Later he studied at the Conservatoire National Supérieur de Musique in Paris. In 1980 he worked with John Cage in London and went to the Academia Chigiana in Siena/Italy on an exchange scholarship in 1984, 1983 - 85 composition course with Tristan Murail, first musical experience with the computer. Since 1985 he has been working at IRCAM in the music research department in addition to his activities as conductor. since October 1986 studying with Pierre Boulez. Numerous prizes and awards.

Mare André Dalbavie has been awarded an honorary mention in the computer music category by the Prix Ars Electronica '87 jury for his composition "Diademes", duration 27 minutes, created in Paris 1987.