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The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica.
Visual Effects of "Forrest Gump"
George Murphy,
Industrial Light & Magic
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Original: Visual Effects of "Forrest Gump" | 4429 * 3024px | 43.0 MB
Original: Visual Effects of "Forrest Gump" | 4429 * 3024px | 43.0 MB
Original: Visual Effects of "Forrest Gump" | 4429 * 3024px | 43.0 MB
Original: Visual Effects of "Forrest Gump" | 4429 * 3024px | 43.0 MB
Original: Visual Effects of "Forrest Gump" | 4429 * 3024px | 43.0 MB
Original: Visual Effects of "Forrest Gump" | 4429 * 3024px | 43.0 MB
"Forrest Gump" is the tale of one decent and simple man's journey through the last thirty years of American history. He touches and changes the lives of many people. Industrial Light & Magic, along with Alien Hall of Special Effects Unlimited, was asked to create a wide variety of illusions, many achieving a new level of film realism. Using new computer graphics technology we were able to attain the subtle nuances necessary for the strong emotional content of the shots. The 120 visual effects shots used a full range of techniques: computer animation, roto mattes, matte paintings, computer graphics and digital composites (one optical composite for old time's sake), blue-screen photography, live-action motion control, and even a few elements shot on HI-8. All these techniques were creatively combined to let us see the world of Forrest Gump. It was my responsibility to design and execute all of the effects shots and deliver them on time and within budget. I was involved at the earliest stages of pre-production, again throughout principal photography in South Carolina, Georgia, Washington D.C. and Los Angeles; and finally I guided all the work through the post-production phase at Industrial Light & Magic.
George Murphy (USA) brings to ILM a unique mix of photographic, artistic and electronic experience earned over many years as a successful working professional specializing in effects oriented imagery. Joined ILM in 1991. Feature films: "Forrest Gump", "Jurassic Park", "Death Becomes Her", "Hook". Collaborators: Ken Ralston (USA) and Stephen Rosenbaum (USA).