Prix

The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica. 

Digital Musics & Sound Art Anerkennung - Honorary Mention 2000

Three

Kevin Drumm
Three was assembled on a Computer using a simple editing program.The sound sources used were mostly derived from prepared guitar, analog synthesizer and field recordings, some of which were treated with a modular synthesizer and/or Computer sound synthesis program.
I had approximatelyfiveorsixsectionsthat I wanted to work with. Each section had its own character. There is no specific system of logic in the way I assembled the piece. I was merely guided by the "feel" ofthe sections, and everything seemed to fall into place the way it did without regard for any personal aesthetic considerations (with regards to form) that I might normally have.
Three was realized in fall and winter of 99. A slightly different version using a quadraphonic sound system was presented in Chicago in December 99, a revised version should appear on Perdition Plastics in late 00.
Kevin Drumm (USA), avant-garde tebletop guitarist and syntheziser player <8formerly of Brise-Glace and a number of ther groups) has been working for several years with other members of Chicago's improv scene - most notably Ken Vandermark and Jum O'Rourke. His all-white self-titled album on Perdition Plastics gives you a chance to check out some of his really out there solo work.