Prix
The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica.
The Intruder Beta Version 1.1
Natalie Bookchin
one of these mornings gonna wake up crazy, gonna take my gun, gonna shoot my baby—ain’t nobody’s business if i do. if i catch you with another man that’s the end little girl. one of these mornings gonna wake up woozy, gonna take my gun gonna kill old suzie. I love you so much it hurts and i’d rather see you dead little girl than be with another man. i’m going out to shoot my old lady, you know i caught her messing round with another man and that ain’t too cool. I killed the only woman i loved—the gun went off a root-ie-toot too-and frankie fell on the floor. it ain’t nobody’s business but my own.
it’s an unbelievably realistic world of brutal, senseless, gratuitous, egregious, yet strangely compelling horror.
it’s an unbelievably realistic world of brutal, senseless, gratuitous, egregious, yet strangely compelling horror.
Natalie Bookchin works collaboratively and independently on and off the Internet. In 1999-2000 she received grants for her projects from the Walker Arts Center/Jerome Foundation (with Alexei Shulgin), creative time and the Daniel Langlois Foundation (with RTMark) and Creative Capital. She teaches at California Institute of the Arts in Los Angeles.