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The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica.
Not by Note
Serhat Karakayali,
sebastian meissner
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In search of new ways to explore power, religion and identity through art, Sebastian Meissner and Serhat Karakayali have invited eight musicians from the Middle East and former Yugoslavia to a one-week art lab in Banja Luka, jointly elaborating a psychogeographical score that critically describes the mesh of relationships between the two regions and Western Europe.
A collective composition was presented as a six-channel sound installation and a live-streaming Kunstradio performance at musikprotokoll 2010 in Graz.
Workshop participants: Boikutt (PAL), Dror Feiler (IL/SE), Amir Husak (US/BA), Manja Ristic (SER), Asmir Sabic (BIH), Cynthia Zavan (LB), Jan Rohlf (DE), Premil Petrovic (SER), Sharif Sehnaoui (LB)
Links: http://musikprotokoll.orf.at/de/werk/not-by-note-installation
A collective composition was presented as a six-channel sound installation and a live-streaming Kunstradio performance at musikprotokoll 2010 in Graz.
Workshop participants: Boikutt (PAL), Dror Feiler (IL/SE), Amir Husak (US/BA), Manja Ristic (SER), Asmir Sabic (BIH), Cynthia Zavan (LB), Jan Rohlf (DE), Premil Petrovic (SER), Sharif Sehnaoui (LB)
Links: http://musikprotokoll.orf.at/de/werk/not-by-note-installation
Serhat Karakayali (DE) studied sociology, political science and philosophy between 1994 and 1999 in Frankfurt on the Main. He wrote his dissertation between 2002 and 2006 with funding from the Heinrich Böll Stiftung. Between 2003 and 2005, he collaborated on the research project TRANSIT MIGRATION. He is the author of _Gespenster der Migration_, and co-editor of _Turbulente Ränder_ and _Empire und die biopolitische Wende_.
Sebastian Meissner (DE) has worked for the past ten years as an artist with sound, music and visual material, as well as participatory und site-specific elements. Using pseudonyms such as Autokontrast, Klimek and Random Inc, his works deal with geo-political localizations, ethnic & religious identities, psycho-geography, music archives and computer music. He has realized a number of stage productions, film soundtracks and installations, and held many concerts. He also established the artist platform Intifada Offspring that is looking for new perspectives on the Middle East.
Sebastian Meissner (DE) has worked for the past ten years as an artist with sound, music and visual material, as well as participatory und site-specific elements. Using pseudonyms such as Autokontrast, Klimek and Random Inc, his works deal with geo-political localizations, ethnic & religious identities, psycho-geography, music archives and computer music. He has realized a number of stage productions, film soundtracks and installations, and held many concerts. He also established the artist platform Intifada Offspring that is looking for new perspectives on the Middle East.