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The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica.
Hemispheric
Philip Reeder
Original: Hemispheric Stereo Extract.aif | 0:03:14 | 49.9 MB
Original: Hemispheric_44_24_Reeder-C.aif | 0:08:34 | 66.2 MB
Original: Hemispheric_44_24_Reeder-L.aif | 0:08:34 | 66.2 MB
Original: Hemispheric_44_24_Reeder-Lfe.aif | 0:08:34 | 14.8 MB
Original: Hemispheric_44_24_Reeder-Ls.aif | 0:08:34 | 130.9 KB
Original: Hemispheric_44_24_Reeder-R.aif | 0:08:34 | 66.0 MB
Original: Hemispheric_44_24_Reeder-Rs.aif | 0:08:34 | 66.0 MB
Original: Hemispheric Stereo Extract REEDER.mp3 | 0:03:14 | 3.0 MB
Original: Hemispheric_Reeder Pic2.png | 1589 * 895px | 985.7 KB
Original: Hemispheric_Reeder Pic1.png | 1592 * 895px | 410.4 KB
Original: Hemispheric_Reeder Pic3.png | 1594 * 897px | 192.6 KB
Part of _Hemispheric’s_ aesthetic stems from the use of super-wide-angle photographic lenses, sometimes known as fisheye lenses. These tend to create an inhuman hemispherical field of vision, with objects toward the periphery becoming increasingly distorted, often requiring a remapping of the image in an attempt to create a less skewed projection. Continual recycling of sonic material in this piece gives rise to viewpoints which are similarly distorted and re-mapped, exploiting the expansive potential of the medium.
_Hemispheric_ is constructed out of field recordings and sampler instruments. Very few linear sections of sound remain – most have been chopped up and rearranged, either manually or through granular techniques, to create a particular sound world. The theme of recycling of material is key to the unfolding of the work both at a performance level and during its composition.
Links: http://www.philipreeder.com/
_Hemispheric_ is constructed out of field recordings and sampler instruments. Very few linear sections of sound remain – most have been chopped up and rearranged, either manually or through granular techniques, to create a particular sound world. The theme of recycling of material is key to the unfolding of the work both at a performance level and during its composition.
Links: http://www.philipreeder.com/
Philip Reeder’s (UK) output moves in a beeline from handcrafted electronic music, to collaborative audiovisual installations, through to remixes and production. He is currently pursuing a PhD under Antti Saario funded by the Arts and Humanities Research Council at University College Falmouth.