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The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica.
Bug's Beat
Yumi Sasaki,
Dorita Takido
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Credits: Takehiro Goto
Credits: Takehiro Goto
Original: Bug´s Beat | 4000 * 2670px | 30.6 MB
Credits: Takehiro Goto
Credits: Takehiro Goto
Humans cannot normally hear the sound of a bug's footsteps. But *Bug's Beat* transmits the amplified sound of a bug's footsteps directly to the human auditory system through directional speakers. And by vibrating the listening chair via vibration speakers every time the bug takes a step, this device allows the observer to perceive sound as a bodily sensation.
Humans visually perceive a small bug, but hear the loud sound of its footsteps and feel this sound as a vibration. There is a discrepancy between the visual information about the size of the bug and the auditory and physical perception of the noise it makes. This disorientates the observers, who may feel as if they have shrunk or as if the little bug has become gigantic.
Translation: Miki HAYASHI
Links: http://doritab.com/archives/684
Humans visually perceive a small bug, but hear the loud sound of its footsteps and feel this sound as a vibration. There is a discrepancy between the visual information about the size of the bug and the auditory and physical perception of the noise it makes. This disorientates the observers, who may feel as if they have shrunk or as if the little bug has become gigantic.
Translation: Miki HAYASHI
Links: http://doritab.com/archives/684
Thanks to:
Shiro YAMAMOTO and Takeshi INARIMORI
Yoshio YAMASAKI, Professor Emeritus, Acoustic Laboratory Waseda University
Tarô ADATI, Professor, Department of International Agricultural Development, Tokyo University of Agriculture
Kenji SUDA, The Musashino Natural History Society
Support: Project to Support the Nurturing of Media Arts Creators, 2015
Photo: Takehiro GOTO
Shiro YAMAMOTO and Takeshi INARIMORI
Yoshio YAMASAKI, Professor Emeritus, Acoustic Laboratory Waseda University
Tarô ADATI, Professor, Department of International Agricultural Development, Tokyo University of Agriculture
Kenji SUDA, The Musashino Natural History Society
Support: Project to Support the Nurturing of Media Arts Creators, 2015
Photo: Takehiro GOTO
Yumi Sasaki (JP), born in Tokyo, works as a staff member of the science museum in Tokyo. She is constantly thinking about how to enjoy playing and learning with kids.
Dorita Takido (JP) is an artist, designer, director, and musician based in Tokyo. Her basic creation policy is to create new experiences by combining different senses, such as the visual and taste perception and auditory and visual perception, on an acoustical base. She produces works by paralleling technology and design.
Dorita Takido (JP) is an artist, designer, director, and musician based in Tokyo. Her basic creation policy is to create new experiences by combining different senses, such as the visual and taste perception and auditory and visual perception, on an acoustical base. She produces works by paralleling technology and design.