Prix
The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica.
DECONSTRUCTION
Mariam Gviniashvili
Deconstruction was composed during the first lockdown in Spring 2020. The way our interpersonal relationships and networks have been deconstructed and transformed since the pandemic began was an essential inspiration for the piece. I have monitored how the virus was spreading, as the few pathways in its network gradually became impossible to trace. I wanted to capture the exponentially rising infection rates as dynamic, explosive gestures, which ultimately relax into more transparent textures, as the “wave” sweeps through my metaphorical Earth. Both visuals and sound is made in Max MSP. The piece exists in stereo and multichannel/ multiscreen versions.
Links: https://www.youtube.com/watch?v=2t73TxVXVZo
Links: https://www.youtube.com/watch?v=2t73TxVXVZo
Sound & Visuals: Mariam Gviniashvili
Mariam Gviniashvili (NO/GE) is an Oslo-based composer and sound artist originally from the country of Georgia. Her artistic practice extends to multichannel electronics, audiovisual and interactive sound-art works, live improvisation as well as collaboration with performers. Her work has been presented internationally at concerts and festivals, including New York City Electroacoustic Music Festival, CIME/ICEM, Transitions concert series at CCRMA, ICMC, Cube Fest, Festival Mixtur, Klingt Gut, BEAST FEaST, and Ultima Festival, among others.