Prix

The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica. 

Computer Animation Anerkennung - Honorary Mention 2022

The Crow

Glenn Marshall
In this animation, artificial intelligence is used to transform a dancer into a crow.  

Based on a live action short film, AI is used to transform each video frame into a painting using text to image synthesis.  A derelict building becomes a desolate landscape, and a dancer becomes a human crow figure. 

The result is a haunting and compelling piece that follows the crow through its brief dance in a landscape of post-apocalyptic barrenness, to its inevitable demise.

Links: https://youtu.be/5dvxY6vXHsA
Director: Glenn Marshall 
Producer: Michael O'Neill 
Based on the short film Painted by Duncan McDowall and Dorotea Saykaly 
Music (Erik Satie) performed by Romi Kopelman
Glenn Marshall (GB). His professional career in computer animation spans over 20 years, seeing him utilize experimental CGI, generative and AI technologies to pursue a philosophical vision of tomorrow’s digital art.  He is a recipient of the Major Individual Award from the Arts Council of Northern Ireland, their highest recognition given to leading artists in the country, and also a Prix Ars Electronica winner, a Lumen Prize finalist, and has collaborated with Peter Gabriel and Tangerine Dream on music videos and concert visuals. His latest film The Crow screened at the 2022 Cleveland International Film Festival—possibly the first AI animation to get into a major film festival.