The team of experts, together with the author, grows fat cells, transformed into neurons, on an electrode array (MEA). The neurons trigger the robot to move in space with their electrical signals, much like a brain on a chip. Through a sensitive and complex sensing and programming system, the signal from the neurons is converted from analogue to digital. It is then amplified and used by AI and the author to find the most appropriate shape of the bot, according to its task of specific movement. 

To determine the shape of the Biobot , the AI program uses the output signals from the neurons and compares them with possible leg movements from a library of different arthropods. From these juxtapositions, the AI deduces the appropriate amount of joints and limbs and suggests the most optimal skeletal constitutions for movement. The results are reflected in the shapes of the unpredictable zoomorphic bodies, offered by the AI and chosen by the artist who follows his interest in handicapped movement. The algorithmic search for the shape of the bot, based on the stimulated biological activity (of iterations of signals from the brain organelle), is shown to be an unregulated evolutionary process. The possibilities of a hybrid bio-cybernetic aliveness with its own aesthetics, intelligence, and movement open up before us.

Production: Kersnikova Institute / Kapelica Gallery  

Curator: Jurij Krpan  

Bioengineering: Kristijan Tkalec, BioTehna Lab; Prof. Dr. Helena H. Chowdhury, The Laboratory of Neuroendocrinology – Molecular Cell Physiology, Medical Faculty of Ljubljana  

Expert assistance: Dr. Martina Perše, Medical Experimental Centre, Medical Faculty of Ljubljana 

Programming AI: Benjamin Fele  

Biosensors, electronics, programming: Erik Krkač  

Electronics, PCB design: Gregor Krpič  

Measurements: Jakob Grčman

3D design: Cveto Kuneševič

Zoran Srdić Janežič (SI) is an academic sculptor, intermedia artist, and puppet designer. In his artwork he uses new materials and technologies: animatronics, 3D virtual design, and animation, moving mechanisms in combination with biological systems and biotechnologies. He has had more than 20 solo exhibitions and has participated in numerous group exhibitions and residencies in Slovenia and abroad. Some of his sculptures are parts of permanent collections in prominent galleries. He has received the awards for his sculptural work as well as designed a permanent public monument.