Prix
The Prix Ars Electronica Archive is a collection enabling search and viewing of all the submissions since 1987. The award-winning projects are documented with catalogue texts and audio-visual media. All other submissions can be searched by title/artist and displayed with year, category in list form. Please cite the credits (artwork name, artist and photographer) and only use the materials if your article is related to Ars Electronica.
SUPPER
SUPPER is the sequel to OPERA, Erick Oh's previous short film that was nominated by the Academy in 2021. While OPERA reflects the humanity from our own perspective, SUPPER is viewed by God-like beings' point of view.
A table stretches endlessly, draped meticulously with an ornate cloth embroidered in patterns reminiscent of celestial movements. Upon its expansive surface, carefully arranged, sits a collection of symbolic objects, each resonating deeply with layers of meaning. A glistening fish, scales shimmering as though freshly plucked from mythical waters, represents vitality and abundance. Beside it rests a flawless apple, its vibrant skin smooth and enticing, symbolizing knowledge and temptation. Nearby, an ornate hourglass silently measures time’s relentless progression, grains of sand cascading steadily downward, a quiet reminder of mortality.
Adjacent to these objects lies an impeccably cut diamond, facets catching and refracting the ambient light into a dazzling array of colors, embodying purity, eternity, and unwavering strength. Completing this intricate ensemble is a heart, vivid and richly colored, pulsating subtly as if it were alive, evoking love, passion, and humanity’s profound emotional desires. Together, these carefully curated elements form an intricate meal, inviting contemplation and reflection on life's complexities and profound mysteries.
At the head of this endless table sits an enormous, enigmatic entity. Its sheer scale defies comprehension, looming in a quiet state of readiness. Observers might wonder, what exactly is this being? Could it represent a deity presiding over existence, the infinite universe personified, or perhaps the very essence of nature itself, inscrutable and eternal? Humanity’s fervent quest for eternity, its unyielding pursuit of meaning and significance, here seems trivialized, distilled into nothing more substantial than a single meal intended for the consumption of this vast, unknowable presence.
Links: https://erickoh.com/supper
Written and directed by Erick Oh
Storyboard: Erick Oh
Art: Ruby Wang & Yijen Liu
Animation: Jongha Yoon & Hyunji Park
Music: FRNK
Sound design: Andrew Vernon
VFX & composition: Daesung Jung
Produced by Beasts and Natives Alike
Erick Oh (US) is an Oscar nominated filmmaker and a former Pixar animator based in California, USA. His films have been introduced and awarded at numerous film festivals including Academy Awards, Annie Awards, Annecy Animation Festival, Zagreb Film Festival, SIGGRAPH, Anima Mundi and more. With his background in fine art in Seoul National University, Korea and film at UCLA, USA, Erick was an animator at Pixar Animation Studios from 2010 to 2016. Erick is currently working on various projects, ranging from short films, series, VR, media art, installation and more.
SUPPER is an evocative audiovisual piece that invites viewers to a surreal and transcendental feast, where symbols of mortality and meaning such as a fish, an apple, an hourglass, a diamond, and a heart, are delicately arranged on an altar-like table. These elements are not just props but metaphors, prepared for consumption by a monumental cosmic figure. With a cinematic yet abstract sensibility, Erick Oh conjures an atmosphere where sound and image move beyond narrative, guiding us into a contemplative space. The piece’s dreamlike rhythm and striking symbolism allow for deeply personal interpretation, while its visual clarity and formal restraint anchor it in a sophisticated aesthetic. It is at once intimate and grand, meditative, and mysterious.