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ARS ELECTRONICA ARCHIVE - ART & SCIENCE

The basis of the „European Digital Art and Science Network“ is a big manifold network consisting of scientific mentoring institutions (ESA, CERN, ESO and Fraunhofer MEVIS), the Ars Electronica Futurelab and seven European cultural partners (Center for the promotion of science, RS – DIG Gallery, SK – Zaragoza City of Knowledge Foundation, ES – Kapelica Gallery / Kersnikova, SI – GV Art, UK – Laboral, ES – Science Gallery, IE. The EU funded project lasted from 2014 to 2017.
The Online Archive of Ars Electronica provides an overview of the individual activities of the network and also delivers information about the network itself, the residency artists and the involved project partners and the jury.

Exhibitions 2017

BIOESTETICA exhibition organized by Zaragoza City of Knowledge Foundation

Title: Growth & Decay (2017) by Allison Kudla (US) | 1800 * 1800px | 1.9 MB | Credits: Allison Kudla
Title: Zaragoza Eco Actions (2017) by Brandon Ballengée (US) | 1500 * 995px | 401.4 KB | Credits: Feldmann Gallery, NY
Title: Asta su abuelo (1799) by Francisco de Goya y Lucientes (ES) | 3744 * 5616px | 15.7 MB | Credits: Goya Museum, Zaragoza
Title: Civilization [Megaplex] (2008) by Marco Brambilla (IT) | 1203 * 983px | 222.6 KB | Credits: Sorigué Foundation
Title: Demasiado mundo (2010) by Marina Nuñez | 1462 * 1615px | 4.6 MB | Credits: Marina Nuñez
Title: El mutante ggi-1 (2008-2017) by Empar Buxeda (ES) | 777 * 581px | 1.4 MB | Credits: Empar Buxeda
Title: Jinete y caballo bebiendo agua de un río en los alrededores de Madrid (1860) by Carlos de Haes (BEL/ES) | 3867 * 3132px | 11.4 MB | Credits: Goya Museum, Zaragoza
Title: Jacob´s Ladder (1975) by Salvador Dalí (ES) | 2134 * 3019px | 891.0 KB | Credits: Barcelona University. CRAI Biology Library
Title: Portrait on the Fly (2016) by Christa Sommerer (AT) and Laurent Mignonneau (FR/AT) | 3056 * 4592px | 26.3 MB | Credits: Christa Sommerer (AT) and Laurent Mignonneau (FR/AT)
Title: Recorte por la línea (2005) by Regina Galindo (GT) | 541 * 721px | 128.8 KB | Credits: Regina Galindo
Title: Proyecto bioesfera Biosphere Project by Joaquín Fargas (AR) | 5472 * 3648px | 4.4 MB | Credits: Joaquín Fargas
Title: Transplant: Connecting Mycorrhiza with Internet (2017) by Qimera Rosa (ES) | 3648 * 2432px | 4.9 MB | Credits: Quimera Rosa
Title: Bodegón (Still Life) (1625–1629) by Francisco de Zurbarán or Juan Fernández (ES) | 3917 * 2709px | 7.1 MB | Credits: Goya Museum, Zaragoza
Title: CO2GLE (2015) and DEFOOOOOOOOOOOOOOOOOOOOOREST (2016) by Joana Moll (ES) | 1564 * 964px | 509.8 KB | Credits: Joana Moll
Title: Stranger Visions (2012-13) by Heather Dewey-Hagborg (US) | 1654 * 1914px | 282.1 KB | Credits: Heather Dewey-Hagborg (US)
    • DESCRIPTION
    • CREDITS
    • TEXT
    BIOESTETICA
    Exhibition: Postnature
    Etopia Center of Art and Technology
    21.09.2017 – 13.01.2018
    Links
    http://www.fundacionzcc.org/es/noticias/convocatoria-residencias-artisticas-proyecto-bioestetica-2319.html

    Start:
    Sep 21, 2017
    End:
    Jan 13, 2018

    Info:
    An exhibition in the context of the European Digital Art & Science Network.
    Cross reference
    Zaragoza City of Knowledge Foundation
    Exhibition Credits
    Curated by: Daniel López del Rincón

    Acknowledgements: Contemporary Art Museum of Barcelona (MACBA), Goya Museum, Zaragoza; Institute for Biocomputation and Physics of Complex Systems (BIFI), Science Museum University of Zaragoza; University of Barcelona, CRAI Biology Library; Sorigué Foundation, Lleida; US Consulate, Barcelona.
    Cycle II: BIOESTETICA
    Cycle II: BIOESTETICA
    Exhibition Postnature
    Etopia Center of Art and Technology
    21.09.2017 – 13.01.2018

    BIOESTETICA is the second project of Zaragoza City of Knowledge Foundation within the program of the European Digital Art and Science Network. It is an ambitious project that takes the form of an expanded exhibition, made up of artistic residencies, workshops, conferences, exhibitions, and films, on the impact of biotechnology on contemporary artistic imaginary.

    The term “post-nature” reminds us that nature is no longer what it was, and that we urgently need to find spaces, ideas, and practices for critical thinking. What role do science and technology play in redefining life in the 21st century? What ethical and aesthetic implications emerge? What influence do humans have in the Anthropocene period? Will a post-anthropocentric paradigm be able to change this? What role can creative action play in this scenario? There are many heterogeneous artistic practices, sometimes generically referred to as “bioart”, keeping pace with biotechnological transformation. How can artistic practice express bioknowledge? What problems and potentials arise from the multiple interactions possible between art, science and technology?

    (Source: The Practice of Art and Science, p. 199)
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