Bondage is a piece about enigma—on mystery and fantasy. It is digital in nature, but analog on the surface. Technology no longer holds mystery in modern society, it is now a part of everyday life. Culture and far away places, however, still keep a power of fascination. In Bondage, I use wood and paper as a vehicle for digital image and sound. On it I project iconography of Japan, the sliding paper screen (shoji), a woman in a kimono. We feel that we know this culture, but yet it escapes us. The woman, as we find out, is in bondage—this image generates the sound universe that we hear as a summation of sine waves.

It is a personal piece situating myself as Japanese-American and as an artist-researcher. The work is made of Japanese elements but would never have been done by a Japanese artist. The sounds are sine-waves, but not in a typical ultra-clean design space. The viewer’s presence completes the loop, uncovering parts of Nobuyoshi Araki’s original photograph, scanned left to right in frequency bands producing sound. The quadraphonic sound system is oriented vertically in the plane of the paper screen. The fibers of the paper give an organic surface for the digital pixels. The result is a total environment, a concentrated space where sound meets image, but where interaction is not pushed to the fore. Instead, I attempt to create a magical space, drawing upon the voyeuristic fantasies of the viewer as he tries to access the untouchable woman on the other side of the screen.

Co-production : Le Fresnoy, Studio National d’Art Contemporain, Parc de La Villette. Thanks to: Nobuyoshi Araki for permission to use his photograph, Yoshiko Isshiki for access to his collection. Sound/image synthesis engine: Ali Momeni

Atau Tanaka (FR) was born in Tokyo and raised in the U.S. He was in residency in Paris in 1993 at IRCAM. In 1995 he became Artistic Ambassador for Apple France for his work in interactive music. He moved to Tokyo in 1997 for a project at NTT-ICC and subsequently taught at Keio, Wakayama, and Chukyo Universities. He has received prizes and support from the GMD, the Fraunhofer Society, and the Daniel Langlois Foundation. Since 2001 he has been a researcher at Sony Computer Science Laboratories, Paris.